Josephine Decker’s 2017 film Madeline’s Madeline was fairly electrifying. Armed with a powerhouse performance from Helena Howard, the film resonates with such a unique energy that it is hard to shake. Decker’s latest, an adaptation of a novel about horror author Shirley Jackson, is more subdued in comparison to Madeline’s Madeline. But its energy is similarly unshakeable.
Shirley is initially framed as a biopic, if not a somewhat offbeat one. We enter into the life of Continue reading Shirley (2020) Movie Review
Fear of shattered privacy. Aggression and bigotry stemming from deep-seated insecurities. The fetishization of the female figure, leading to the suppression of the artistic expression of the naked female form. The potential outcome of arming oneself, literally, against the patriarchy. The depiction of the inability for modern punitive powers from preventing internet trolls. And, more or less, a The Purge scenario.
This is only a handful of the disparate ideas tackled in Sam Levinson’s Assassination Nation, a film about four teenage girls (Odessa Young, Hari Nef, Suki Waterhouse, and Abra) stuck in Continue reading Assassination Nation (2018) Movie Review
One man. Millions of movies.