Neil Marshall’s The Descent holds special weight in my mind. I can recall being extraordinarily tense throughout watching that film, cementing it in my head as a distinctly effective horror film. That film is an intensely close-quarters survival thriller turned creature feature that has its cult fanbase, of which I guess I am a part. But after watching The Reckoning, I question whether it was simply a claustrophobia I did not know I had that made that film so effective.
The Reckoning, Marshall’s follow-up to the similar dud Hellboy, is a substantial disappointment. The premise of the film holds promise: during the time of the Great Plague, a woman is accused of dealing with the devil while trying to save her homestead following the untimely death of her husband. Setting a witch trial narrative on the backdrop of the Plague is intriguing. The Witch by way of Contagion, perhaps? Not quite. Continue reading The Reckoning (2020) Movie Review →
We find ourselves at the end of 2020, and…well, let’s not dwell on it.
I may not have set foot in a movie theater since March, but that didn’t stop quality cinema from finding its way in front of my eyeballs. I can (and will) list at least 20 films from 2020 worth watching. As with any year, there are films I’ve missed based on lack of availability and/or time, so I cannot call this list exhaustive. Still, this should give a good idea of my favorite films of the year. And this includes some honorable mentions: The Wolf House, The Nest, Da 5 Bloods, Wolfwalkers, Ema, Palm Springs, Swallow, Blow the Man Down, Promising Young Woman.
20. Bad Education
Cory Finley’s Bad Education didn’t leave as strong of an impression on me as his debut Thoroughbreds, but it nevertheless stands out as Continue reading The 20 Best Movies of 2020 →