The biopic is a tiresome genre. It is predicated on formula and stuffy grandiose representations. When a film like Jackie comes around, then, it acts as a feat of restorative faith in the biopic.

Jackie is shot with opaque symmetry. There are many angular, straight on shots that mirror the subject’s mournful resolve. It is an elegant Continue reading Jackie (2016) Movie Review →
Antoine Fuqua’s reboot of the seminal 1960 Western The Magnificent Seven (itself a Westernization of the 1954 Akira Kurosawa film The Seven Samurai) has a distinctly modern feel to it. Bandits have been replaced by violent capitalists. The fear of the outsider has been replaced by the fear of the wealthy. Of course, there is the fear-of-the-other narrative that introduces Denzel Washington’s Chisolm that screams modern relevancy. It is, however, a commentary only hinted at.

What we get in lieu of commentary is Continue reading The Magnificent Seven (2016) Movie Review →
Scott Cooper’s Black Mass is the story of crime lord James “Whitey” Bulger (Johnny Depp) told from the eyes of his criminal underlings as they speak out against him to the FBI.

Bulger, after serving a nine-year stint in Alcatraz prison, straddles together a working crime business in southern Boston in the 1970s. FBI agent and childhood friend of Bulger John Connelly (Joel Edgerton) approaches Bulger with an offer to Continue reading Black Mass (2015) Movie Review →
One man. Thousands of movies.