Darren Aronofsky is no stranger to provocative and difficult cinema. He has made a career of it. From the bleak downward spirals in Requiem for a Dram to the chaos of the frustratingly opaque mother!, the filmmaker likes to experiment with morbid, carnivalesque subject matter. Often, this experimentation involves the torment of the film’s characters.

With The Whale, it should be said, Aronofsky and writer Samuel D. Hunter aim to inflect Charlie’s (Brendan Fraser) torment with a profound empathy. But this is also where Continue reading The Whale (2022) Movie Review →