The “Roadshow” 70mm exhibition of Quentin Tarantino’s eighth film, The Hateful Eight, begins with a three minute overture. It is a haunting piano, string, and xylophone melody that plays over a red splash screen. This overture, and the films full score, are handled by master film composer Ennio Morricone.
Morricone’s career spans decades, and his work has included iconic scores in Sergio Leone Westerns. It is thus apropos that he tackles this films soundtrack, which is at times the dominant attraction, crescendoing into Hellish tremolos from thunderous strings. It is a brilliant score that mixes Western and Gothic motifs.
Tarantino begins The Hateful Eight by Continue reading The Hateful Eight (2015) Movie Review
A whole new batch of films are being unveiled on Netflix in early April. Of the new U.S. region arrivals, here are the ones I’m most excited to watch.
Continue reading Top Ten: What to Watch on Netflix (April 2015)
Quentin Tarantino is a master of his craft, and my favorite director working in Hollywood today. Tarantino has created some of the most original, well thought out, wonderfully scripted films in recent memory. He pulls me into his films in a way that no other director can, and he is my screenwriting idol. With each new film from him, I am expecting a flop, simply because I am surprised that he has never let me down. He is the only filmmaker that has impressed me with every single film in his filmography.
Below is my list of Tarantino’s films from worst (yet still enjoyable) to best.
Continue reading Lists — Ranking the Quentin Tarantino Filmography
Baymax, why are you moving so slow!? Someone could really be hurt!
Continue reading Movie Mashup: Baymax Tends to Mr. Orange