Note: Spoilers for Avengers: Endgame
The Marvel Studios machine keeps turning. With Avengers: Infinity War
and Avengers: Endgame
, there was a satisfying conclusion to the three-phase arc that is the Marvel Cinematic Universe thus far. This epic two-part film event provided caps on long-standing MCU characters without really hinting at anything beyond.
Yet MCU phase three, as it is currently outlined, concludes with Spider-Man: Far From Home.
Far From Home shows a world which has moved on from the havoc wreaked by Thanos—the havoc was Continue reading Spider-Man: Far From Home (2019) Movie Review →
Michael Bryce (Ryan Reynolds) is a bodyguard. Darius Kincaid (Samuel L. Jackson) is a hitman. The bodyguard must bodyguard the hitman. Hilarity ensues.
Except, not too much hilarity. Some hilarity. Well, maybe hilarity isn’t the word. There are some chuckles.
But mostly the film is heavy on the Continue reading The Hitman’s Bodyguard (2017) Movie Review →
Big Ape. Island. 1970s Vietnam backdrop. Movie. Synopsis over.
Kong: Skull Island is a Vietnam era period piece, something that acts as an important backdrop in the film. The stereotypes of U.S. in 1970s wartime dictate exposition and characterization.
The setup of Kong is messy in its expediency. A constant underscore of period relevant soundtrack keep conversations short and lacking in anything more than political platitudes.
Characters, as a result of this expediency and poor scripting, are Continue reading Kong: Skull Island (2017) Movie Review →
In archive footage, we see at the beginning of I Am Not Your Negro an interview with the subject of the documentary: writer James Baldwin. The interviewer, when addressing with Baldwin the plight of the black man in American during the height of the Civil Rights Movement, he says “Is it at once getting better and still hopeless?” To which Baldwin responds, quite simply, that there is no hope to it.
I Am Not Your Negro is a literary chronicle set to motion through photographs, film clips, and sweeping landscape shots. The raw power of Baldwin’s words is something Continue reading I Am Not Your Negro (2017) Movie Review →
The preamble to Tim Burton’s latest, a fantasy novel adaptation, introduces a multi-faceted allegorical fable that mixes grief, childhood imagination, and Holocaust fears into a hideaway fantasy realm. Miss Peregrine’s (Eva Green) children’s home remains perpetually in September 3, 1943, the day when a German air raid bombed the building out.
Jake (Asa Butterfield), a lonely boy in his own right, travels to find the home (in 2016) following the death of his grandfather (Terence Stamp), a former resident of the home. Through way of the cavernous entrance into a Continue reading Miss Peregrine’s Home for Peculiar Children (2016) Movie Review →
In The Legend of Tarzan, Jane (Margot Robbie) and John Clayton (Alexander Skarsgard), aka Tarzan, return to the jungle years after Tarzan has acclimated to high class civilized life. The story of their relationship is told in flashbacks, where Tarzan is seen as a boy raised by apes and Jane as the daughter of an American teacher.
These flashbacks are shot with little care. Motion is blurred. Camera angles are distorted and displeasing to the eye. The color palette is drab and cold.
When slave traders led by Leon Rom (Christoph Waltz) steal Jane away, Tarzan ventures to save her. The narrative is simple, and thus not the crux of entertainment value to be found in this film. What the film is meant to provide instead is Continue reading The Legend of Tarzan (2016) Movie Review →
Cell is a movie based on a novel by Stephen King. In this adaptation, Clay Riddell (John Cusack), is an artist who, while in an apartment, becomes witness to an apocalyptic event in which a cell phone signal causes users to become feral (in inconsistent ways). They foam at the mouth, attack people, attack themselves, and become utterly unaware of their own humanity.
The opening shots of this film set the tone for its overall success. Continue reading Cell (2016) Movie Review →