Category Archives: Action/Thriller

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Action/Thriller, All Movie Reviews, Comedy, Like It, Long Reviews (>400 Words), Romance

The Fall Guy (2024) Movie Review

David Leitch’s The Fall Guy is, in many respects, a love letter to the stunt performers that have allowed cinema to function properly for many a decade. At this level, the film definitely excels. Stuntman Colt Seavers’ (Ryan Gosling) opening voiceover monologue keys us in to the philosophy of the stunt performer: they keep everything looking exciting and propulsive, but their job is to be invisible by design. The best stunt performer disappears. Remember this; it will be important later.

Leitch’s comedy-action-romance benefits from the residual effects of the dump-truck of charisma that was Ryan Gosling in Barbie. Fittingly, the film opens the 2024 Summer movie season and promises an Continue reading The Fall Guy (2024) Movie Review →

Action/Thriller, All Movie Reviews, Leave it, Long Reviews (>400 Words)

The Ministry of Ungentlemanly Warfare (2024) Movie Review

The Ministry of Ungentlemanly Warfare tries hard to be a rag-tag action film with a roguish, rugged charm. Based (however loosely) on the book Churchill’s Secret Warriors by Damien Lewis, about the small group of fighters covertly deployed by the British military during World War II, the film depicts Operation Postmaster. Postmaster was a mission to steal three German cargo ships that provided essential supplies for the Nazi U-boats. As the movie tells it, the U-boats were vital to the German’s control over the Atlantic Ocean, and thus cause for reticence when it came to the United States’ decision to join the War.

The film tries hard, and you can feel it. You can feel the four screenwriters – some possibly brought in simply for punching up the quips – producing the dialogue. You can hear the hope for Continue reading The Ministry of Ungentlemanly Warfare (2024) Movie Review →

Action/Thriller, All Movie Reviews, Comedy, Leave it, Long Reviews (>400 Words)

Ghostbusters: Frozen Empire (2024) Movie Review

Somewhere in the midst of the haggard kerfuffle that is the frozen empire of Ghostbusters: Frozen Empire, Ernie Hudson’s Winston Zeddemore tells Dan Aykroyd’s Ray Stantz something to the effect of the old cliché, “we’re getting too old for this.” This does not come across like a self-aware nod toward the inherent redundancy and inessential nature of Hollywood reboot culture. It feels more like the film accidentally self-reporting.

Personally (and fortunately, perhaps), I did not have to get too old before realizing that it is a waste of one’s time and energy to Continue reading Ghostbusters: Frozen Empire (2024) Movie Review →

Action/Thriller, All Movie Reviews, Drama, Leave it, Long Reviews (>400 Words)

Civil War (2024) Movie Review

Alex Garland’s previous film, Men (2022), was provocative, but it provoked one’s attention for the sake of a statement without much depth to it. Civil War, the filmmaker’s latest, is marketed and branded as a highly provocative sign-of-the-times political thriller. It wants on the one hand to be an eerie premonition of where the United States Democracy is heading as the country trudges through yet another contentious election year. But it is, in execution, far less provocative than it hopes to be, despite claiming to have a deeply resonant statement to make.

If Civil War is on the one hand an aspiring premonition, it is on the other a Continue reading Civil War (2024) Movie Review →

Action/Thriller, All Movie Reviews, Drama, Leave it, Long Reviews (>400 Words)

I.S.S. (2024) Movie Review

Gabriela Cowperthwaite’s I.S.S. is a low-budget thriller set in the shoebox of a set replicating the International Space Station. The film sets out to be a slow-burn potboiler (despite a 95-minute runtime), where chummy colleagues are thrown into an international geopolitical dispute that sows distrust and paranoia. Kira Foster (Ariana DeBose) is greeted warmly by the crew of the space station, who hail equally from Russia and the United States. Her first day working as a biologist on the station ends in a drunken celebration and Kira looking out onto Earth’s surface. Weronika (Maria Mashkova) and Alexey (Pilou Asbæk) joke that Kira doesn’t understand the full weight of seeing the world from the outside, where you can no longer see borders.

The first 15 minutes of I.S.S. (and the last few moments of the film) harp on this obvious bit of foreshadowing: in the Space Station, there are no Continue reading I.S.S. (2024) Movie Review →

Action/Thriller, All Movie Reviews, Comedy, Leave it, Long Reviews (>400 Words)

Self Reliance (2024) Movie Review

With Self Reliance, Jake Johnson and The Lonely Island (Andy Samberg, Jorma Taccone, Akiva Schaffer) have made a broad comedy rendition of David Fincher’s The Game. After a bad breakup with his partner, an aimless Thomas Walcott (Johnson) jumps at the chance to play a mysterious game of life and death, to be live-streamed to the dark web. The rules are simple: Thomas must survive 30 days of being hunted by assassins from Greenland who may or may not ever find him and who cannot harm him if he is within striking distance of another person. Seeing this last part as an exploitable loophole (more of a rule than a loophole, as it were), Thomas accepts the challenge.

For the first few days, Thomas is golden. He wakes up, lazily rides a recumbent bicycle, has a few shots of whisky at a bar, and calls it a day. No sign of any “production assistant ninjas” ready to film his murder. Then, one night, a window breaks while he is sleeping and he discovers Continue reading Self Reliance (2024) Movie Review →

Action/Thriller, All Movie Reviews, Comedy, Drama, Like It, Long Reviews (>400 Words)

The Book of Clarence (2024) Movie Review

Jeymes Samuel’s The Harder They Fall was a pleasant surprise and a critical success for Netflix. His follow-up, The Book of Clarence, takes a similarly anachronistic approach to a familiar genre. This time, Samuel takes on the religious epic. The film presents an alternative biblical story adjacent to the story of the last days of Jesus Christ. This apocrypha is simplistic and familiar, so much so that when David Oyelowo’s John the Baptist exposition dumps the premise unnecessarily the plot itself almost feels like a punchline.

Clarence (LaKeith Stanfield) and his friend Elijah (RJ Cyler) owe a man known as Jedediah the Terrible (Eric Kofi Abrefa) money that they don’t have. To further complicate things, Clarence is Continue reading The Book of Clarence (2024) Movie Review →

Action/Thriller, All Movie Reviews, Like It, Long Reviews (>400 Words)

Leave the World Behind (2023) Movie Review

Leave the World Behind, Netflix’s buzzy new film from writer-director Sam Esmail and based on the popular 2020 novel of the same name by Rumaan Alam, imagines how Americans would cope if the daily technologies of life were stripped away and information was cut off at the pass by some unknown enemy. It is more thought experiment than substantive film, in that the characters are intentionally self-absorbed, conceited, not particularly three-dimensional, and, in some cases, full-on nihilistic.

The film begins with Amanda Sanford (Julia Roberts), the matriarch of a nuclear family, declaring to her husband Clay (Ethan Hawke) that they will be going on a spontaneous vacation because she has come to the realization that she hates people. Not much more is said on the matter; it’s pretty much smash cut from this conversation to the ornate home outside of New York City that the family will be staying in. They are essentially just far enough from the city to be considered “out of town.”

Following an indefinite loss of cell service and wireless internet, and a freak accident involving a beached oil tanker, the family’s first day in relative seclusion ends with Continue reading Leave the World Behind (2023) Movie Review →

Action/Thriller, All Movie Reviews, Leave it, Long Reviews (>400 Words), Sci-Fi/Fantasy

Rebel Moon – Part One: A Child of Fire (2023) Movie Review

Zack Snyder’s latest is a two-part space opera epic with the classic rebels-versus-empire dynamic popularized in the cinema mainstream by Star Wars (the film began its life as a Star Wars film pitched to Disney). This dynamic is purposefully simplistic, with basic white hat heroes and black hat villains. The issue with Rebel Moon – Part One: A Child of Fire is that these characters are not only simplistically drawn, but they are never particularly compelling figures to begin with.

The first sign that this script has character issues is an emotional monologue given by Sofia Boutella’s Kora. She speaks of being unable to Continue reading Rebel Moon – Part One: A Child of Fire (2023) Movie Review →

Action/Thriller, All Movie Reviews, Drama, Like It, Long Reviews (>400 Words)

Godzilla Minus One (2023) Movie Review

I am not a historian. It doesn’t take a historian, though, to understand that the 1954 film Godzilla is about the devastating possibilities of human-made destruction that was realized in the wake of World War II. What we are capable of, as a species, was demonstrated in many different ways in those years, and Godzilla bottles the anxieties surrounding our own extinction into a distinct (and now very recognizable) figure. Ishirō Honda’s film is most remembered for introducing kaiju monsters to the mainstream, but it is as much a film about the human characters on the ground who must deal with what is towering over them as it is about Godzilla.

What has been lost in the Americanized iterations of the Godzilla IP is not so much this human focus (there are plenty of human characters, I just couldn’t tell you any of their names). What is lost is the Continue reading Godzilla Minus One (2023) Movie Review →