Sound Design can be an overlooked aspect of filmmaking, just as the Best Sound Editing and Best Sound Mixing Oscar categories can be overlooked awards. Nevertheless, sound design is important, and nabbing the right films in the sound categories can be a key part of winning an Oscar pool.
Before putting that cart before the horse, though, let’s focus on the films that could get nominated.
Sound Editing – The Nominees:
Continue reading 2018 Academy Awards Predictions – Best Sound Nominees →
The Best Visual Effects category has been narrowed down by the Academy to 10 films. Makes my job easier, sure, but even without the shortlist I think these five films would be the ones with the nominations.
Continue reading 2018 Academy Awards Predictions – Best Visual Effects Nominees →
In 1977, the groundbreaking science fiction film Star Wars was released, featuring an opening text crawl describing a period of civil war in which a Galactic Rebellion has won their first victory. “During the battle, Rebel spies managed to steal secret plans to the Empire’s ultimate weapon, the Death Star.”
In 2016, Disney and director Gareth Edwards give us a visual representation of this event, the inception of the Galactic Civil War. Jyn Urso (Felicity Jones), the daughter of a reluctant Imperial engineer (Mads Mikkelsen) who is forced into the creation of the Death Star, is sprung from Imperial prison by the Rebellion. Jyn and an unlikely band of anti-Empire figures are tasked with finding Saw Gerrera (Forest Whitaker), which leads them on the trail of the Death Star plans that jump-started the original Star Wars trilogy.
Rogue One is the first “non-saga” Star Wars film, and it does feel distinctly Continue reading Rogue One: A Star Wars Story (2016) Movie Review →
I recently read an article through Moviepass (free promotion for Moviepass: they are a great service for the avid filmgoer) about the history of the Summer blockbuster. Near the end of the article, they address a shift in Summer movie box office trends. This and recent thoughts I’ve had about this Summer’s slate of new releases have spurred some personal speculation on the future of the Summer blockbuster. Moviepass looked into the past, let’s now look into the future.
The Summer movie season, in recent memory, has been littered with Continue reading The Future of the Summer Blockbuster →
The two sound categories at the Oscars may appear synonymous. And, yes, the two categories often go to the same film. I think this year will end up going that route, as well. But, of course, anything is possible.
All five of the films in Best Sound Editing feature superior sound work. As a result, I feel that the award will go to Continue reading 2016 Academy Awards Predictions – Best Sound Editing →
Note: I’ve tried to make this review as spoiler free as possible. That said, one person’s reaction is another person’s spoiler. I can’t make this 100% devoid of spoilers. Proceed at your own risk.
Star Wars – The Force Awakens is directed by J.J. Abrams, and it is the first new Star Wars film in 10 years. Easily the most anticipated movie of the year, The Force Awakens could have been the biggest disappointment since, well, The Phantom Menace. Thankfully, this is not the case.
This part is unavoidable, but it must be mentioned. Continue reading Star Wars Episode VII – The Force Awakens (2015) Movie Review →