Director Renaud Gauthier came into my radar with the 2019 film Aquaslash, a bare-bones slasher film taking place in a water park where a serial killer has inserted large blades inside of a water slide. It appeared to me that Aquaslash was the sort of movie that hearkened back lovingly to the B-movie slashers of the day. The problem was that the film was not well-made in its own right, so instead of coming off as a B-movie homage it came off as a purposeful attempt at the “so bad it’s good” variety (emphasis on the bad). At the very least, Aquaslash was good for a few cheap laughs.
Gauthier’s newest feature, Punta Sinistra, is an ultra low-budget crime film set in Mexico. From its protagonist’s half-baked voiceover, it feels like Gauthier is going for a neo-noir vibe. This hero, a journalist from Canada, travels to the island of “Punta Sinistra” to investigate a Continue reading Review: Punta Sinistra — Fantasia Festival 2022→
The Girl From the Other Side, Sissy, and Deadstream are screening as part of the 2022 Fantasia International Film Festival, which runs from July 14 – August 3.
Shin Ultraman, Country Gold, and Give Me Pity! are screening as part of the 2022 Fantasia International Film Festival, which runs from July 14 – August 3.
Please Baby Please is screening as part of the 2022 Fantasia International Film Festival, which runs from July 14 – August 3.
Newlyweds Suze (Andrea Riseborough) and Arthur (Harry Melling) witness a murder outside of their apartment building. The culprits, a greaser gang called the Young Gents, then turn their attention to the couple, initiating a series of events that change the two people forever.
Please Baby Please is a noir-tinged send-up of the biker gang movies of the 1950s, but that description does not come close to identifying what the film is accomplishing. Amanda Kramer’s film is an articulate examination of Continue reading Review: Please Baby Please — Fantasia Festival 2022→
Swallowed, Special Delivery, and Employee of the Month are screening as part of the 2022 Fantasia International Film Festival, which runs July 14 – August 3.
The Diabetic is screening as part of the 2022 Fantasia International Film Festival, which runs July 14 – August 3.
Shot on Hi-8 and transferred to 16mm, The Diabetic is hazy and grainy, a distinct aesthetic choice to mirror the protagonist’s harried state. His name is Alek (James Watts), and he seems dead-set on going on a bender.
Returning home to see his parents, early-30-something Alek reaches out to anyone still in town in pursuit of a drink and some company. A type one diabetic, Alek continues taking shots and doing drugs through the night despite Continue reading Review: The Diabetic — Fantasia Festival 2022→
The Fantasia International Film Festival returns for its 26th edition, which will run from July 14 – August 3. Some of my favorite movies of the last two years — films like Labyrinth of Cinema, Mad God, and We’re All Going to the World’s Fair — played Fantasia. And I anticipate being pleasantly surprised by a few films this year, as well. To preview the fest, here’s a quick sample of what this year’s program has on offer.
All Jacked Up and Full of Worms (d. Alex Phillips)
Park Hoon-jun’s The Witch: Part 1. The Subversion was a financial success upon its release in 2018, and it garnered some accolades in South Korea and beyond, particularly for its lead performer Kim Da-mi. It is altogether an exciting film, blending gritty action with more fantastical, comic book adjacent tropes (the medical experiments central to the premise are similar to the Weapon X program of X-Men lore). For its reported budget of US $5.5 million, the film looks slick. It’s a fun time.
The Witch: Part 2. The Other One does some typical sequel things. Namely, it expands the world of this story. The Subversion is predominantly concerned with the narrative of Ja-yoon (Kim), an adopted young woman whose past catches up to her. Her unique abilities and ailments point backwards to her origin as the victim of a medical experiment. We follow her Continue reading The Witch: Part 2. The Other One (2022) Movie Review→