Following the huge success of Gore Verbinski’s The Ring in 2002, The J-horror franchise Ju-on was remade in the United States as The Grudge in 2004. It was also a success. In the first weekend of 2020, another remake of Ju-on appeared in theaters to little fanfare. To Sony, it seemed like a good idea. The time gap is big enough. The January market is (while a notorious dumping ground) not a moneyless area for horror.
And the premise of Ju-on, like any good myth, is worth retelling. The concept of a house whose primary tenant is a spiritual curse is (while by no means wholly original) intriguing. The story moves from Continue reading The Grudge (2020) Movie Review
There may not be much charm in the title Stuber—if you don’t have the pieces of the clumsy portmanteau pieced together from the trailer before going to the cinema, then it is a title likely to breed more confusion than chuckles. But there is some charm to the notion of an original buddy cop comedy within a Summer drought of failing franchise/reboot IP (Disney not included, at least not financially-speaking).
On paper, a comedy starring Kumail Nanjiani as a civilian trapped in the middle of a police investigation led by a tough-nosed Dave Bautista sounds like Continue reading Stuber (2019) Movie Review
At an early age, Natalie (Rebel Wilson) is taught from her mom that she is not the type of woman they make romantic comedies about. Those movies don’t fit into real life; at least, they don’t fit into what her real life will be. “We’re no Julia Roberts,” Natalie’s told. If they made a movie out of her life, they would have to “sprinkle Prozac on the popcorn.”
Natalie has carried these values, perhaps subconsciously, into her adult life. She assumes she is blind to the world, and thus she allows herself to be pushed around at work. She is Continue reading Isn’t it Romantic (2019) Movie Review
One man. Millions of movies.