Steve McQueen is achieving something rare in modern filmmaking: he is a known-name director who does not adhere to auteur theory. With four feature films under his belt, McQueen has ventured into multiple genres, engaging with them using different filmmaking styles.
In Widows, his latest, he takes on the heist genre. With shades of Continue reading Widows (2018) Movie Review
“In 1980s Detroit, Ricky Wershe Jr. was a Street Hustler, FBI Informant and Drug Kingpin—all before he turned 16,” boasts the poster for White Boy Rick, the true-crime drama courtesy of director Yann Demange and Matthew McConaughey’s hair. Because if any actor could use a mullet for its full creative potential…
The eponymous white boy is portrayed by Richie Merritt, a newcomer to the screen. Merritt is a high school student, unlike Ricky, who has dropped out of school to Continue reading White Boy Rick (2018) Movie Review
Hotel Artemis, the science fiction crime film set on the backdrop of the rioting streets of 2028 Los Angeles, could be described as clunky. Bloated. Over-loaded. An exploitation action film in the clothing of a classier sheep. A lot of slick talk with little substance.
It is all of these things. And quite blatantly. But Drew Pearce’s film is also a helluva lot of entertainment value stuffed into a 93-minute feature.
The film finds a disparate group of injured criminals taking refuge in the eponymous hotel, a building of antiquity that could be Continue reading Hotel Artemis (2018) Movie Review
One man. Millions of movies.