Following the Holocaust and the Nuremberg trials, many surviving Nazis fled Europe. They went into hiding or sometimes found support from similar-minded governments. Chris Weitz’ Operation Finale begins with the Mossad during the 1950s. Peter Malkin (Oscar Isaac) knocks on a door in Hungary, sending the family inside in a frenzy. They hide Nazi reading material, but Malkin and his cohorts already know who they have caught.
At least, they think they do. They know for certain that the patriarch of the house is a former Nazi soldier. Whether that man is actually on their “list” is questionable, but they kill him anyway.
Malkin has hesitations about Continue reading Operation Finale (2018) Movie Review →
The cold open to M. Night Shyamalan’s new venture, Split, features an intriguing mix of directorial choices. There is a Hitchcockian motivated mobile POV, one that starts as an innocent track. There are motivated pans and tilts that follow our protagonist Casey’s (Anya Taylor-Joy) increasingly cautious gazes. There is a sense of impending dread with each edit.
This opening kidnapping was shown in almost its entirety in Split‘s trailer, which presents the premise of a man with multiple personalities (James McAvoy) who steals away three teenage girls (Haley Lu Richardson, Jessica Sula, and Taylor-Joy). Ignore the ridiculous notion that Continue reading Split (2017) Movie Review →
One man. Thousands of movies.
