Armed with a constant blue-gray aesthetic, Atomic Blonde lacks the adrenaline energy of a John Wick despite sharing a director, so much so that the intricately staged hand-to-hand combat sequences can sometimes come off as dreary and mechanical.
This said, select sequences from this batch are the Continue reading Atomic Blonde (2017) Movie Review
Transformers: The Last Knight is, surprisingly, a movie.
The film is a direct sequel to Transformers: Age of Extinction, not that that is important. Optimus Prime (Peter Cullen), leader of the Autobots, is adrift in space, frosted over in route to his homeworld.
And he will remain frosted over for most of the movie.
Meanwhile, on Earth, various humans have agendas related to Transformers and Continue reading Transformers: The Last Knight (2017) Movie Review
Big Ape. Island. 1970s Vietnam backdrop. Movie. Synopsis over.
Kong: Skull Island is a Vietnam era period piece, something that acts as an important backdrop in the film. The stereotypes of U.S. in 1970s wartime dictate exposition and characterization.
The setup of Kong is messy in its expediency. A constant underscore of period relevant soundtrack keep conversations short and lacking in anything more than political platitudes.
Characters, as a result of this expediency and poor scripting, are Continue reading Kong: Skull Island (2017) Movie Review
Michelle (Mary Elizabeth Winstead), in the process of leaving her boyfriend, suddenly becomes party to a car wreck. She awakens in a concrete room chained to the wall. An effectively desperate Winstead struggles just to reach her phone in a tense scene that culminates in the menacing introduction of Michelle’s captor Howard (John Goodman).
This early standoff between Winstead and Goodman is fascinating, although it would have played better with Continue reading 10 Cloverfield Lane (2016) Movie Review