Big Ape. Island. 1970s Vietnam backdrop. Movie. Synopsis over.
Kong: Skull Island is a Vietnam era period piece, something that acts as an important backdrop in the film. The stereotypes of U.S. in 1970s wartime dictate exposition and characterization.
The setup of Kong is messy in its expediency. A constant underscore of period relevant soundtrack keep conversations short and lacking in anything more than political platitudes.
Characters, as a result of this expediency and poor scripting, are Continue reading Kong: Skull Island (2017) Movie Review
In The Lobster, David (Colin Farrell), upon being abandoned by his wife for another man, attends a hotel in which he must fall in love in 45 days or else be turned into an animal of his choosing. The movie is as surreal as the premise sounds, but it is also something beyond the mere surreal, which is an alleyway that can quickly lead to becoming a gimmick.
Director Yorgos Lanthimos’ usual brand of awkward yet matter-of-fact line readings dominate The Lobster. Characters present so much on their face while still concealing Continue reading The Lobster (2016) Movie Review
The opening shots of Entertainment are largely static. The Comedian (Gregg Turkington, essentially playing in this film a fictionalized version of himself and his comedic alter-ego Neil Hamburger), stands in an airplane fuselage, looking down. He watches as a clown, Eddie the Opener (Tye Sheridan), prepares for a set at a prison. He looks on dour-faced as the clown “wows” the crowd of prisoners by simply bouncing a ball and clapping his hands.
The first spoken dialogue in the film comes from a tour operator who encourages The Comedian and others to “by all means, go ahead and wander.” Yet the film does the opposite. Continue reading Entertainment (2015) Movie Review