2016 is proving to be a hard year to predict the Academy Award Best Picture race. The seeming frontrunners going into the Golden Globes were Spotlight and The Revenant. The Revenant came out of the Globes on top, while also picking up awards for Best Director and Best Actor for Leonardo DiCaprio (this appears to finally be his year for the Oscar, barring something crazy happening at the SAG awards, but that is an entirely different article).
The first wrench thrown at the Oscar race came during the Producers Guild Awards, where Continue reading Breaking Down the 2016 Oscar Best Picture Race →
Below are my predictions for who I believe will win the Academy Award in each of the 24 Oscar categories.
Note: This list will be updated as articles for each category get published. Those articles also may be updated if the odds within the individual category change.
Continue reading 2016 Academy Award Predictions: All Categories →
For whatever reason, this appears to be the hardest category for me to settle on. You have Stockhausen nominated again after his win last year for The Grand Budapest Hotel. You have the nominee leaders The Revenant and Mad Max: Fury Road in the mix. But The Martian and The Danish Girl can’t be counted out, either.
If Mad Max: Fury Road sweeps the technical awards (which I have a strong feeling it will), then Continue reading 2016 Academy Awards Predictions – Best Production Design →
Star Wars vs. Mad Max. The action franchise duel of the year. Who will win? Do any other film stand a chance?
In response to the latter, probably not. Some are pulling for Ex Machina, and, although the film is beautiful, it is a long long shot that it will pick up the award in this category. And The Revenant may pull an upset, but the real battle remains between Continue reading 2016 Academy Awards Predictions – Best Visual Effects →
Best Sound Mixing will fall the same way of Best Sound Editing in 2016. This knocks Bridge of Spies out of the running, I’m afraid. The remaining four are a mixed bag, and each one has its shot.
There is a stereotype that the biggest, loudest movie of the year is the shoe-in for the two sound categories. This isn’t always the case. But this year it might be.
The competition, I feel, is between Continue reading 2016 Academy Awards Predictions – Best Sound Mixing →
The two sound categories at the Oscars may appear synonymous. And, yes, the two categories often go to the same film. I think this year will end up going that route, as well. But, of course, anything is possible.
All five of the films in Best Sound Editing feature superior sound work. As a result, I feel that the award will go to Continue reading 2016 Academy Awards Predictions – Best Sound Editing →
Often, the Best Costume Design category goes to the film that is a period piece with the most lush costume choice. This year is no different (most likely).
An argument can be made for why Mad Max is a frontrunner in this category, but I find it highly unlikely that such a film will win. And the furry 1800s chic of The Revenant is far from the gold here, as well.
What we are left with are three period pieces with decadent costuming. Between them, it appears to be a battle between Continue reading 2016 Academy Awards Predictions – Best Costume Design →
Editing was crucial to the success of some of the films in this category. In others, it was less crucial, and I feel that hurts the chances of these films.
Mad Max: Fury Road is the Continue reading 2016 Academy Awards Predictions – Best Editing →
Best Makeup & Hairstyling comes down to grit rather than elegance in 2016. The 100-Year-Old Man Who Climbed Out the Window and Disappeared is a nomination that came out of nowhere, and it will likely be left behind in favor of the other two movies, which are both up for the biggest awards of the night.
Will it be the scalp-caps and wound makeup from The Revenant or the dirty or otherwise pale-faced warriors of Mad Max? That is the real question of this category. The Revenant makes a Continue reading 2016 Academy Awards Predictions – Best Makeup & Hairstyling →