We continue our 2020 Academy Awards prediction series by turning to screenplay.
Twitter was ablaze the morning the Oscar nominations were announced. Joker received 11 (count ’em, 11!) nominations? No The Farewell? No Uncut Gems? No J-Lo? No Greta Gerwig for Best Director? No this. No that. Why this, but not that? There was room for X, but they choose Y? Blah-blah-blah.
The grumblings from Film Twitter is not without their merit. The Academy is known for its massive oversights year after year, and this has become particularly evident in the past few years. But there is a futile exhaustion to the Film Twitter banter, which is equal parts righteous, ironic, furious, annoyed, and contrarian. The reality is that the Academy is a somewhat arbitrary selection of industry insiders choosing what is culturally relevant. It has its limited import, but it is not worth getting up in arms about.
It is that time of year again. Time to create an exceedingly subjective, by-no-means exhaustive list of the “best” movies of 2019. 2019 was a good year in film. There were plenty of strong contenders for this list (find my full ranking of 2019 films at Letterboxd). I could have stretched this list out to 30 or 40 films, but I decided to keep it short and sweet. I just crammed in as many honorable mentions as felt appropriate, instead.
You can find my candidates for worst movie of the year here.
Honorable Mentions: American Factory, Apollo 11, Arctic, Ash is Purest White, Birds of Passage, Hail Satan?, A Hidden Life, Horror Noire, Midsommar, Once Upon a Time in…Hollywood, One Cut of the Dead, Rolling Thunder Revue, The Souvenir, The Vast of Night, Wild Rose