I think this year’s Best Director race is really intriguing. It is a group of filmmakers doing a variety of different things, and they all have their merit. While this makes predicting the winner a tough task, and there are many different ways this race could go, I think there are two presumed frontrunners heading into the Directors Guild of America’s award ceremony.
We continue our 2020 Academy Awards prediction series by turning to screenplay.
Original Screenplay – The Nominees:
Much has been made of Bong Joon-ho’s genre hybridity, or rather his “genre unto self” mythos—the director himself has referred to it as an ambiguity of genre. At the risk of belaboring this idea, Parasite is a perfect example of Bong’s ability to elude the walls of genre. The film has flashes of gritty horror and a pervading sense of Hithcockian suspense, as well as tropes of the family drama and social problem film (used in entirely unconventional ways). A premise hinging on gaslighting adds a psychological layer on top. And a somewhat bitter sense of humor provides a dark comedy element.
What makes the film so extraordinary (in part) is the ease by which these diverse genres intersect to create a Continue reading Parasite (2019) Movie Review
In a U.S. Army Base, a germophobic scientist (Scott Wilson) instructs his assistant (Brian Rhee) to dump loads of chemicals down the drain and into the nearby Han River, because the bottles are covered in dust. The result is exactly what you would expect. That is, if you expect a giant fish monster.
The Host has a beautifully shot opening after this U.S. diversion. A man, leaning hopelessly over a bridge, staring into the murky depths below, notices something large and Continue reading The Host (2006) Movie Review