Tag Archives: 1917

2020 Academy Awards — Final Predictions Ballot

With the Oscars just hours away, it is time for me to re-evaluate my Oscar predictions and create my final ballot. Having written articles on every category during the past month, I will not elaborate on my choices here. Although some of my picks have changed since writing my initial articles, mainly due to how other awards ceremonies have played out, most of my changes are consistent with the lines of thinking I engage with in those previous articles.

Let’s get into it.

 

Best Picture

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2020 Oscar Predictions — Best Original Score

I am not the type of person who remembers a film’s score long after I’ve left the theater. I kind of just let the score wash over me in the moment, and then it slowly escapes from my mind after I have written my review. Perhaps, then, I am no authority on the Best Original Score category. However, this year’s race has a pretty clear divide from which we can delineate frontrunners.

The Nominees:

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2020 Oscar Predictions — Best Production Design

In some years, I have trouble determining who will win in the Best Production Design category. There are so many different ways to design a film’s story-world, that I can get bogged down in the minutiae and get confused as to what the voters will actually like.

But this year I am much more confident. Who knows, maybe I’m getting better at this unnecessary skill of Oscar predictions.

The Nominees:

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2020 Oscar Predictions — Best Sound Editing and Best Sound Mixing

I’m going to admit it right up top: I am not confident in my picks in these two sound categories. I will elaborate further as we go, but just know that there are two potential winners in each category. That makes four possible combinations, and any of those four outcomes could come to pass.

But let’s go more in-depth on Best Sound Editing and Best Sound Mixing.

Sound Editing – The Nominees:

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2020 Oscar Predictions — Best Visual Effects

The Best Visual Effects Oscar has flourished over the past decade, growing into a full-fledged category with five nominees. Prior to that, the category would generally be three nominees. Given the industry’s increasing reliance on visual effects, it is a surprise that it took until 2010 to expand the category to a guaranteed five nominees per year.

2020 is a prime example of this reliance. The category is not reserved for the blockbuster films that are, more and more, composed of VFX. This year, the dramas The Irishman and 1917 use extensive VFX, and the films would be very different without those effects. Then, of course, there’s The Lion King…not all visual effects are a good choice.

The Nominees:

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2020 Oscar Predictions — Best Cinematography

The 2020 group of Best Cinematography nominees are composed of a three-time winner, a three-time nominee, a one-time winner (15-time nominee), and two first-time nominees. It is mostly a respectable group. I can’t say there aren’t others I would like to see represented here, but it’s not a bad group.

The Nominees:

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2020 Oscar Predictions — Best Original Screenplay and Best Adapted Screenplay

We continue our 2020 Academy Awards prediction series by turning to screenplay.

Original Screenplay – The Nominees:

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