Tag Archives: movie review

Review: The Soul Eater — Fantasia Festival 2024

The Soul Eater is screening as part of the 2024 Fantasia International Film Festival, which runs from July 18 to August 4.


In the rural town of Roquenoir, France, a series of murders and kidnappings have taken place. One survivor, a young boy, says it is the work of the “Soul Eater,” a creature of urban legend that steals children away into the woods.

Two investigators working under different jurisdictions are tasked with investigating the case. Elisabeth (Virginie Ledoyen) works for the National Police and is focused on the murders. Franck (Paul Hamy), the captain of the National Gendarmerie, is focused on the missing children. The two butt heads as they seek answers about this mysterious series of crimes.

Julien Maury and Alexandre Bustillo, best known for their bloody 2007 film Inside, bring glimpses of the gruesome to this otherwise Continue reading Review: The Soul Eater — Fantasia Festival 2024

Review: Mash Ville — Fantasia Festival 2024

Mash Ville is screening as part of the 2024 Fantasia International Film Festival, which runs from July 18 to August 4.


Mash Ville is the type of ensemble crime film that is so jam-packed with plotty incident and odd characters that it feels as though the film is doing a lot and thus must be doing something interesting and new. The film aspires to be something like an acid western, and it may also draw comparisons to Tarantino or the Coens, in that the film attempts to blend slick humor with farce with black comedy.

The problem with an overly plotted black comedy about death and crime is that, if you do too much, it becomes Continue reading Review: Mash Ville — Fantasia Festival 2024

Review: Cuckoo — Fantasia Festival 2024

Cuckoo is screening as part of the 2024 Fantasia International Film Festival, which runs from July 18 to August 4.


I can’t help but feel that Cuckoo is a series of intriguing parts in search of a sum. Writer-director Tilman Singer introduces potentially fresh approaches to well-worn horror-thriller ideas, but these ideas never fully culminate in something satisfyingly original.

In the film, Gretchen (Hunter Schafer), a young rebellious teenager, moves from the United States to Germany to live with her father in a secluded estate in the Alps with his new wife and her young daughter. It is a decision she quickly regrets. Feeling homesick, she calls her mother and leaves a message saying as much. More than this, she is put off by the home, the neighboring resort at which she is given a job, and the people populating the area. In particular, Mr. König (Dan Stevens), the owner of the resort and Gretchen’s father’s employer, unnerves Gretchen.

Par for the course with horror films, strange and inexplicable occurrences start bringing themselves to Gretchen’s attention. Her mute half-sister Alma (Mila Lieu) starts convulsing in her bedroom in an apparent seizure brought on by a sound coming from the nearby woods. Women coming into the resort lobby occasionally fall suddenly ill and vomit. Mr. König insists that Gretchen not Continue reading Review: Cuckoo — Fantasia Festival 2024

Review: The Beast Within — Fantasia Festival 2024

The Beast Within is screening as part of the 2024 Fantasia International Film Festival, which runs from July 18 to August 4.


The Beast Within is the least fun werewolf movie I’ve seen.

Alexander J. Farrell, who is normally a documentary filmmaker, brings us this horror-lite werewolf picture starring Kit Harington. Harington, top billed, is more accurately the third lead in a film with only four characters. He doesn’t say a line of dialogue until the 23-minute mark, for one. While his character Noah is the one inflicted with the titular “beast within,” the film is centered around his young daughter Willow (Caoilinn Springall) as she comes to learn about the affliction that plagues her family.

The Beast Within is, ostensibly, a film about a werewolf. But the truer explanation of its premise is that it is a film about lycanthropy as a thin metaphor for Continue reading Review: The Beast Within — Fantasia Festival 2024

2024 Fantasia Festival Movie Reviews — Carnage for Christmas, From My Cold Dead Hands

Carnage for Christmas and From My Cold Dead Hands are screening as part of the 2024 Fantasia International Film Festival, which runs from July 18 to August 4.


Carnage for Christmas

Alice Maio Mackay is a fascinating case. A super-low-budget filmmaker, Mackay has made, by my count, five feature films, among other projects. Given that she’s only 19 years old, that’s quite a prolific start to a career. Carnage for Christmas is the first Continue reading 2024 Fantasia Festival Movie Reviews — Carnage for Christmas, From My Cold Dead Hands

Review: FAQ — Fantasia Festival 2024

FAQ is screening as part of the 2024 Fantasia International Film Festival, which runs from July 18 to August 4.

FAQ is an interesting little creature. It has an infectious personality, driven by the child actor at its center. For a small-scale story about childhood and parenting, it is doing quite a lot (perhaps too much). Even as it is unclear exactly where it is going, what its odd plot points are progressing toward, the film gets by on heart and charm and liveliness.

At its core, FAQ is a film about a daughter and a mother. Dong-chun (Park Na-eun) is a quiet, curious, and restless child who, despite an excelling mind, struggles to make sense of her studies. Her mother (Park Hyo-ju) is worried about Continue reading Review: FAQ — Fantasia Festival 2024

Review: The Old Man and the Demon Sword — Fantasia Festival 2024

The Old Man and the Demon Sword is screening as part of the 2024 Fantasia International Film Festival, which runs from July 18 to August 4.

Despite being extremely talky with heavily expository dialogue, the plot of Fábio Powers’ The Old Man and the Demon Sword is immediately confusing. Something meant to resemble a force field is cut through by a swordsman and his demon-possessed sword, initiating a battle against skeletal shadow people that no one else can see (save for the random older man of the title, who pops out of the bushes with a knife). The sword wants the barrier to be breached, for reasons I could not quite identify. And some sort of grand council is pulling the strings of the skeleton army, it seems.

The hooded hero has what is meant to be witty banter with the demon sword (João Loy), a trait carried over to the old man Tonho (Antonio da Luz) once he acquires the sword. The film, ostensibly, is an Continue reading Review: The Old Man and the Demon Sword — Fantasia Festival 2024

Review: Animalia Paradoxa — Fantasia Festival 2024

Animalia Paradoxa is screening as part of the 2024 Fantasia International Film Festival, which runs from July 18 to August 4.

I spent a good majority of Animalia Paradoxa trying to simultaneously parse the text and subtext of the film. The two must share some sort of relationship, I thought, yet mentally circling one made the other seem more obscured.

The text of the film involves, among other unexplainable practices that flirt with avant-garde, a post-apocalyptic world in which Continue reading Review: Animalia Paradoxa — Fantasia Festival 2024

Review: Vulcanizadora — Fantasia Festival 2024

Vulcanizadora is screening as part of the 2024 Fantasia International Film Festival, which runs from July 18 to August 4.

Joel Potrykus has made a career out of making independent films about ostracized, lonely, deadbeat men in their thirties with no direction and no motivation. His Relaxer, for example, chooses as its focus an unemployed man who allows his brother to torture him with “challenges” which begin with him vomiting a gallon of milk and culminate in him sitting on a couch playing Pac-Man in his own filth for (seemingly) months.

What happens when Potrykus turns his attention on those types of men as they pass into middle age? Vulcanizadora, his latest, sees Potrykus and his frequent collaborator Joshua Burge reprise roles they played in Continue reading Review: Vulcanizadora — Fantasia Festival 2024

Kill (2024) Movie Review

Kill lives up to its title, and then some. In many regards, the hyperviolent “vengeance is a dish best served ice cold” action film sells itself short by not calling itself Overkill.

This said, it takes a while to get to this level of breathless brutality. With great intentionality, Nikhil Nagesh Bhat’s film takes 45 minutes or so to establish a Continue reading Kill (2024) Movie Review