Jason Reitman’s The Front Runner is Altman without Altman. The opening scene mimics The Player, albeit it less impressively than the eight-minute long take Altman achieves in his 1992 film. The camera pans back and forth across a chaotic scene of media and politics in overlap. Characters talk over each other, their relative distances from the camera dictating how much we can discern of the conversations.
Sonically, it is an impressive and immersive feat. We are drawn into the conversations we cannot hear, to the actors that are in the foreground but just out of focus. The sheer bustle of it all is Continue reading The Front Runner (2018) Movie Review