The teenage bildungsroman is a common narrative formula. Lady Bird, Greta Gerwig’s directing debut (she also serves as screenwriter), may be another addition to the list, but it does not feel like another tired addition. If anything, it exists in this long line of coming of age films as as much of a standout as the film’s eponymous role: a personality so bold and big but also honest that it demands to be taken on its own merits.
This is undoubtedly caused by Gerwig’s distinct presence. Even as a first-time director, it is clear that this is uniquely Continue reading Lady Bird (2017) Movie Review
This review of Catherine Breillat’s Anatomy of Hell is part of the New French Extremity Retrospective series.
In Anatomy of Hell, a woman (Amira Casar) pays a homosexual man (Rocco Siffredi) to watch her in her bedroom. This is after she saunters through a gay bar, committing herself to the tragic isolation of none of them wanting anything to do with her, and slits her wrist in the bathroom.
The things she has him experience in her room are sexual, to a degree. They are pornographic only insofar as they extend to Continue reading Anatomy of Hell (2004) Movie Review
This review of Catherine Breillat’s Romance is part of the New French Extremity Retrospective series.
“You don’t deserve my faithfulness”
The complicated sexuality of Romance is problematic. Not entirely so, as the film explores a side of sexuality that is often left unexplored. But the screenplay reduces sexual philosophy to a binary matter. Even when the shoe is on the opposite foot, entering the perspective of Continue reading Romance (1999) Movie Review
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—Alex Brannan (@TheAlexBrannan)