In Wish Upon, endlessly picked-on teenager Clare (Joey King) is gifted a music box with Ancient Chinese lettering on it that her dad (Ryan Phillipe) found in a dumpster. The box allows her seven wishes, at the cost of seven lives.
Dylan (Michiel Huisman) likes the stability of life. He sees patterns in everything. It fits perfectly with his air traffic control gig, even when he almost kills 900 people in a nearly botched landing.
In preparation for the May release of Alien: Covenant (Dir. Ridley Scott), CineFiles is looking back at the decades-spanning horror sci-fi franchise. In this installment, we look at the ill-received Aliens vs. Predator: Requiem, the second film to pair the two horror monster heavyweights.
Let me get the positives of Fifty Shades Darker out of the way so we can start making jokes. 1) Star lighting showcases our “steamy” talent quite adequately. 2) As with its predecessor, the production design is well-conceived. 3) Academy Award-winner Kim Basinger appears, and should be in a better movie than this.
I was going to come home from the screening of The Bye Bye Man and write a scathing review. I was going to give it a quadruple F-. I was going to tear the film apart and bury the pieces.
But first I told my roommate about this terrible film. I let him know; I said: “Don’t go see this film called The Bye Bye Man…” As the words of the film’s title left my lips, though, I started hearing things. A coin dropping to the floor. Scratching on wood. The sound of my girlfriend having sex with my best friend.
I was going to write an F- review of The Bye Bye Man but…don’t pay money, don’t see it. Don’t Pay Money, Don’t See It. DON’T PAY MONEY, DON’T SEE IT!!
In 1969, a reporter (Leigh Whannell) goes on a murdering spree over a name that people in his neighborhood keep spreading around. “Don’t say it, don’t think it,” he mutters to himself as he paces around his suburban street with a shotgun, stalking people down and shooting them after they comically run away at half speed.
Flash forward to present day, three personality-devoid college students rent a seemingly mansion-sized house. The trio include a couple comprised of Sasha (Cressida Bonas), a character whose only character trait is that Continue reading The Bye Bye Man (2017) Movie Review→
The exorcism film. Has it ever lived up to its contemporary creator, The Exorcist? Not really. Yet, here we are four decades later still letting Hollywood churn them out like soap operas.
Incarnate, the latest effort (if we can call it that) from Blumhouse Tilt, takes the possessed child angle to “new heights” by providing our exorcist character Dr. Seth Embers (Aaron Eckhart) with an ability to enter the victim’s subconscious during the exorcism. In short, Incarnate is The Exorcist meets Inception, only without everything that makes those films interesting and different.
The wheelchair-bound Embers is executing exorcisms (or “evictions”) in search for the demon Maggie. Maggie has also been searching for him so that she can cause him interminable pain, only it has taken Embers dozens of exorcisms to find her. Horror movies don’t need logical premises, right?