Movies I wish I had skipped. This could be for any number of reasons: the film was made sloppily, the narrative didn’t engage me, or I simply could not connect with the film in any way for whatever reason.
Bodies Bodies Bodies, on its surface, is a movie I should instantly fall in love with. It is a light horror comedy riff on the whodunit with a cast so stacked with great young talent that I almost couldn’t believe it when it was announced. Drop the cherry on top that it is an A24 picture, and my fears that this was a half-thought-out satire churned out as a genre programmer went out the window.
Director Renaud Gauthier came into my radar with the 2019 film Aquaslash, a bare-bones slasher film taking place in a water park where a serial killer has inserted large blades inside of a water slide. It appeared to me that Aquaslash was the sort of movie that hearkened back lovingly to the B-movie slashers of the day. The problem was that the film was not well-made in its own right, so instead of coming off as a B-movie homage it came off as a purposeful attempt at the “so bad it’s good” variety (emphasis on the bad). At the very least, Aquaslash was good for a few cheap laughs.
Gauthier’s newest feature, Punta Sinistra, is an ultra low-budget crime film set in Mexico. From its protagonist’s half-baked voiceover, it feels like Gauthier is going for a neo-noir vibe. This hero, a journalist from Canada, travels to the island of “Punta Sinistra” to investigate a Continue reading Review: Punta Sinistra — Fantasia Festival 2022→
The near-future of Crimes of the Future is marked by the progression of medical technology. And the progression of human evolution in the form of biological mutations. For some, vestigial organs and appendages serve as performance art pieces. Inner beauty takes on new meaning in a world like this. Saul Tenser (Viggo Mortensen) and Caprice (Lea Seydoux) have grown a reputation in the art world by performing live surgeries, during which Caprice removes useless organs which Tenser’s body spontaneously produces.
In my review for Spider-Man: No Way Home, I didn’t call it superhero fatigue that fueled my lack of enthusiasm for Marvel. It was ambivalence. No greater evidence do I need for this ambivalence than meeting the trailer for a movie directed by Sam Raimi, one of my favorite directors, called Doctor Strange in the Multiverse ofMadness with a resolute shrug of the shoulders.
Deep Water, following a rocky release schedule hampered by the Covid-19 pandemic, finally landed on Hulu this weekend. It is a less-than steamy erotic thriller from Adrian Lyne, a director known for his work in the genre (most notably the 1987 film Fatal Attraction). The film is Lyne’s first crack at directing in 20 years, and it stars former couple Ana de Armas and Ben Affleck as spouses whose marriage is on the rocks.
Vic (Affleck), a retired microchip engineer, has tolerated a tacit agreement with Melinda (de Armas) in which she escapes their passionless marriage by making “friends” with a few local bachelors. Her flirtations and flings are Continue reading Deep Water (2022) Movie Review→
Catch me on the right day and I’ll tell you that Tobe Hooper’s The Texas Chain Saw Massacre is my favorite horror movie. It jostles around with a few other notables, but it will likely never leave my top three.
The Fede Alvarez-produced, David Blue Garcia-directed Texas Chainsaw Massacre (2022) could be compared to the 1974 masterpiece with which it shares a title (sans definite article). Not just because it shares a villain, but also because it adopts a similar thinness of plot and character and dialogue. That said, I am not about to tell you that this year’s Texas Chainsaw Massacre is among my top three all-time horror favorites.
Resurrection premiered at the 2022 Sundance Film Festival.
Films which hinge on a central revelation are difficult to talk about. The experience of a film like this can be significantly altered if one already knows the revelation ahead of time. I won’t go into much detail about the plot of Andrew Semans’ Resurrection, for this reason. Just suffice it to say that your curiosity and subsequent shock at the revelation in Resurrection are required components to enjoying the film. And I think the film thoroughly fumbles its central conceit.
Watcher premiered at the 2022 Sundance Film Festival and is competing in its U.S. Dramatic competition.
Chloe Okuno’s feature debut Watcher is a thriller in the Rear Window tradition. Americans Julia (Maika Monroe) and Francis (Karl Glusman) move to Bucharest after Francis receives a promotion. Julia does not have a job here and does not speak Romanian, two facts which isolate her in her new environment, leaving her on edge as she goes about her days largely alone. And it does not help that Continue reading Watcher (2022) Movie Review→