Movies I absolutely loved. Love, of course, is a subjective term. For me, loving a film means being wholly drawn into it or being intrigued into watching the film again. If I left a movie with my mouth agape or nodding my head contently, chances are “Love It.” is my short-form review.
John Wick (Keanu Reeves), essentially the omnipotent god of this film universe whose nickname is appropriately “The Boogeyman,” just wants his car back. That’s all. Is it really so hard to give John Wick his car back? He’s really been through a lot. Cut him some slack.
Once he gets his car back, a movie happens.
John Wick 2 might be one of the Continue reading John Wick: Chapter 2 (2017) Movie Review
“Black. All important movies start with a black screen.” This is the first line of The Lego Batman Movie, the spinoff/sequel of the 2014 surprise hit The Lego Movie. The tongue-in-cheek opening is reminiscent of the opening of a similar late-winter release from last year: Deadpool. The Lego Batman Movie is not Deadpool, for obvious reasons, but the spirit of light comic book mockery is the same.
The Lego Batman Movie utilizes an economy of exposition, relying on prior franchise knowledge and in-jokes to set up Continue reading The Lego Batman Movie (2017) Movie Review
The opening to Get Out, the new thriller from Key & Peele‘s Jordan Peele, plays out in a single, meandering take that is gorgeously composed. The single shot depicts a man (Lakeith Stanfield) being plucked off of a suburban street in the middle of the night.
This cold open pivots to an idyllic, happy young couple, Chris and Rose (Daniel Kaluuya and Allison Williams), packing for a weekend at Rose’s parents’ house. This retreat to the woods, however, promises to be far more Continue reading Get Out (2017) Movie Review
The opening shot of Tim Sutton’s Dark Night, coming after almost a minute of music playing over a black screen, is a beautiful yet unceremoniously conventional shot. It is the reflexive kino eye shot, showing the awareness of artifice and mediation within a filmic representation.
Gorgeous red and blue neon washes over the eye of an onlooker. We can see the approaching police car in her pupil. It is tragedy in a snapshot; fundamentally artistic even if the eyeball shot has appeared everywhere from Un Chien Andalou to LOST.
Dark Night chronicles the lives of those affected by the 2012 Aurora shooting that took place in a Colorado screening of the film The Dark Knight Rises. The film is proposed as a Continue reading Dark Night (2017) Movie Review
Director Chan-wook Park is not afraid to push buttons. He’s not afraid to be different. Not afraid to indulge.
The Handmaiden may be Chan-wook Park’s most button-pushing, different, indulgent film to date.
In 1930s Korea, a woman named Sook-hee (Tae-ri Kim) is hired to be the handmaiden of a wealthy Japanese heiress Lady Hideko (Min-hee Kim). But nothing is what meets the eye. Nothing. Sook-hee is Continue reading The Handmaiden (2016) Movie Review
At the age of three, Owen Suskind “disappears.” He changes: awake all night, speaking in gibberish, a loss of motor function, an inability to understand what people are saying. Diagnosed with autism, Owen’s life changes forever.
But a love for animated movies, particularly those of the Disney Corporation, allows Owen an outlet from which he can Continue reading Life, Animated (2016) Movie Review
Jesuit priest Cristovao Ferreira (Liam Neeson), amid a 17th century Japanese mission environment of torture and persecution, reportedly apostatizes the Christian faith to prevent more Japanese converts from being harmed.
Two young priests who were raised into the faith under the tutelage of Ferreira, Father Rodrigues (Andrew Garfield) and Father Garupe (Adam Driver), decide to venture to Japan to find Ferreira and an explanation.
When Rodrigues and Garupe land on the Japanese shore, it becomes clear that their resolve may not be enough for what they are up against. In a delightfully simple move, Scorsese shows the two Portuguese priests with Continue reading Silence (2016) Movie Review
“Luna (Lali Ayguade) and Diego (Nicolas Ricchini) are the parking lot security guards. Diego does the night shift, and Luna works by day.” This is the IMDb description for Juanjo Gimenez Pena’s short film Timecode. It is terse and unassuming, seemingly mundane. Yet the CCTV cameras in the lot, when set to secret timecodes, tell a different story.
There is a heartening simplicity to Timecode. Marked by its levity and brevity, the short film follows Luna in her isolating Continue reading Timecode (2016) Short Film Review
The 13th Amendment to the Constitution of the United States abolished slavery, effectively guaranteeing every American citizen be free. That is to say, every citizen who is not a criminal.
Ava DuVernay’s historical documentary makes pertinent use of this word. With every mention of the word out of interviewees’ mouths, the term “CRIMINAL” flashes on the screen. And with each instance, Continue reading 13th (2016) Movie Review
Fences is an adaptation from the stage written by August Wilson (the playwright) and directed by/starring Denzel Washington (the star on stage). It is the stage talent taking the play and directly adapting the source material to the screen. And it feels like it takes place on a stage.
Sets, even the city streets filled with film reference shops like Rosebud beauty salon and the Grand Hotel, feel like Continue reading Fences (2016) Movie Review
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