The American Society of Cinematographers (ASC) had their annual awards ceremony was held this past Sunday, and Garth Davis’ Lion surprised by winning the feature film award. The film beat out awards season heavy-hitter La La Land, as well as the other fantastically shot films Arrival, Silence, and Moonlight.
In an awards season made boring by La La Land sweeping up wins wherever and whenever possible, this might be the first Continue reading Can Lion Win the Oscar for Best Cinematography?
The fundamental element of a film. Cinematography. What is captured and how it is captured. It’s basic, but some films make you forget that it’s basic. Some films project imagery that seems impossible to capture on camera.
Camera work is a beautiful thing, and the five films nominated for the Academy Award for Best Cinematography in 2017 are all visually stunning. Obviously, only one can take home the award. But how obvious are the odds?
Continue reading Academy Awards Predictions 2017 – Best Cinematography
The nominees for the 2017 Academy Awards were announced this morning, and, as always, there were some unexpected additions that made the cut.
In the acting categories, we see some faces that surprisingly, yet thankfully, edged their way into the race. Continue reading 2017 Academy Awards Nomination Announcement Reactions
Jesuit priest Cristovao Ferreira (Liam Neeson), amid a 17th century Japanese mission environment of torture and persecution, reportedly apostatizes the Christian faith to prevent more Japanese converts from being harmed.
Two young priests who were raised into the faith under the tutelage of Ferreira, Father Rodrigues (Andrew Garfield) and Father Garupe (Adam Driver), decide to venture to Japan to find Ferreira and an explanation.
When Rodrigues and Garupe land on the Japanese shore, it becomes clear that their resolve may not be enough for what they are up against. In a delightfully simple move, Scorsese shows the two Portuguese priests with Continue reading Silence (2016) Movie Review
The sound design Academy Awards. Oft overlooked and conflated, the sound editing and mixing are pivotal aspects of a film. A good soundtrack mix is seamless and unnoticeable, which is why the Academy likes to reward films with many sound elements that must be mixed. A good sound edit may also involve many sound effects on the soundtrack, or it may be something more subtle.
Here are my picks for Best Sound Editing and Best Sound Mixing.
Best Sound Editing
Continue reading 2017 Academy Awards Nomination Predictions – Best Sound Editing/Sound Mixing
Production Design is essentially set design. It is the mise-en-scene vision of what will be filmed, whether it be on a sound stage or on location. This said, there were a lot of stellar production design schemes in film in 2016. There is a wide field to pick from, but I’m going to try.
Best Production Design
Continue reading 2017 Academy Awards Nomination Predictions – Best Production Design
The idea of a Best Film Editing award is strange. While editing is an arduous task that certainly deserves to be rewarded, the concept of judging a film’s editing is counter intuitive. The success of an edit is determined by the editor’s ability to hide the fact that cuts are occurring. A seamless experience is what marks a good editing job.
How do you judge a film by its editing, then? Part of it is a rhythm, a pulse in the cuts that contribute to the overall effect of a scene. In the case of a film like La La Land, it is an edit that has musicality and adds energy to a musical number. Another part of it is the editor’s ability to create that seamless experience.
Best Film Editing
Continue reading 2017 Academy Awards Nomination Predictions – Best Film Editing