Category Archives: Action/Thriller

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Godzilla Minus One (2023) Movie Review

I am not a historian. It doesn’t take a historian, though, to understand that the 1954 film Godzilla is about the devastating possibilities of human-made destruction that was realized in the wake of World War II. What we are capable of, as a species, was demonstrated in many different ways in those years, and Godzilla bottles the anxieties surrounding our own extinction into a distinct (and now very recognizable) figure. Ishirō Honda’s film is most remembered for introducing kaiju monsters to the mainstream, but it is as much a film about the human characters on the ground who must deal with what is towering over them as it is about Godzilla.

What has been lost in the Americanized iterations of the Godzilla IP is not so much this human focus (there are plenty of human characters, I just couldn’t tell you any of their names). What is lost is the Continue reading Godzilla Minus One (2023) Movie Review

The Killer (2023) Movie Review

The quiet, ruminative introduction of David Fincher’s latest presents a haggard Michael Fassbender – the eponymous killer. An assassin staking out his target, he is disillusioned and tired, and his voiceover reiterates lines familiar to this genre, bromides regarding one’s luck if they never meet this cold-blooded killer, regarding the absence of true justice in this world, regarding luck being a false construct. Fassbender looks like a genre convention through most of this sequence, too, with an outfit that looks like it was pulled from Le Samourai. The opening scene could be considered a riff on Rear Window. These allusions, whether intentional or not, come off as unimportant as they would to the “Killer” himself – they are empty gestures to spectacular fictions regarding how crime operates.

As the V.O. monologue goes on, it bleeds into something more intriguing, something Continue reading The Killer (2023) Movie Review

Fantasia Festival 2023 Movie Reviews — River, Femme, #Manhole

River, #Manhole and Femme are screening as part of the Fantasia International Film Festival, which runs from July 20 to August 9.


River

Junta Yamaguchi’s Beyond the Infinite Two Minutes was a delightfully quirky experiment with time travel tropes. The film was rough and tumble from a visual standpoint, but its charm withstood its Continue reading Fantasia Festival 2023 Movie Reviews — River, Femme, #Manhole

Fantasia Festival 2023 Movie Reviews — Satan Wants You, Devils

Satan Wants You and Devils are screening as part of the Fantasia International Film Festival, which runs from July 20 to August 9.


Devils

Kim Jae-hoon’s Devils is a crime thriller with a premise similar to that of a body swap movie. Police detective Jae-hwan (Oh Dae-hwan) disappears for a month after pursuing a sadistic serial killer (Jang Dong-yoon), only for both the cop and the killer to resurface unexpectedly. Jae-hwan wakes in a hospital to find himself Continue reading Fantasia Festival 2023 Movie Reviews — Satan Wants You, Devils

Fantasia Festival 2023 Movie Review: Shin Kamen Rider

Shin Kamen Rider is playing as part of the Fantasia International Film Festival, which runs from July 20 to August 9.

During the rapid-fire in media res opening of Hideaki Anno’s Shin Kamen Rider, memories were conjured of the Power Rangers shows of my youth. People dressed in bulky-headed costumes chase each other down and then prepare to battle in clunky hand-to-hand combat. It was not a second after the film reminded me of that quaint franchise that the masked hero of the title started popping the heads of attacking grunts like ticks and cracking into their ribcages like one cracks an ice tray. Pulpy blood splattering on the nearby trees.

Then, we witness motorcyclist turned cyborg grasshopper Takeshi (Sosuke Ikematsu) as he experiences a severe panic attack brought on by the murders he just committed.

Takeshi has been engineered into something of a superhuman by an organization named S.H.O.C.K.E.R. While wearing a metallic helmet shaped like the head of a grasshopper and running a machine on his body that looks like a computer cooling fan, he can harness the power of Continue reading Fantasia Festival 2023 Movie Review: Shin Kamen Rider

Sympathy for the Devil (2023) Movie Review

Yuval Adler’s Sympathy for the Devil owes a great debt to Collateral. Michael Mann’s masterpiece bottles tension inside the cramped confines of a Los Angeles taxi cab. Devil substitutes Las Vegas for L.A. and the car of a man desperately trying to reach his wife giving birth in the hospital for a taxi driver. It also substitutes Jamie Foxx and Tom Cruise with Joel Kinnaman and Nicolas Cage.

Kinnaman takes on a similar—though less expressive and emotionally palpable—disposition to Foxx. Cage, on the other hand, replaces the icy composure of Cruise with his usual Continue reading Sympathy for the Devil (2023) Movie Review

The Flash (2023) Movie Review

2023 is shaping up to be the year that giant Hollywood franchises try to tell us that they are too sprawling and layered and beholden to their fanbases for their own good. It’s like they are crying out for help.

Between Spider-Man: Across the Spider-Verse declaring the canon to be an existential threat to multiversal stability and The Flash gaudily colliding planets worth of continuity against one another (both examples are literal at the textual level), both Marvel and DC film properties can’t help but be gasping for breath under the massive weight of unbearable, multi-dimensional lore-making.

And yet, both Marvel and DC want to have their cakes and eat them, too, as they make laborious nods to the unwieldy Gordian knots of their own creation while also reveling in the synergistic team-ups and nesting doll-like allusions that made both franchises box office draws in the first place.

If it sounds like I’m being overly cynical, let me assure you I am Continue reading The Flash (2023) Movie Review

Guardians of the Galaxy Vol. 3 (2023) Movie Review

Before the release of this new Guardians of the Galaxy installment, I felt like Marvel had zombified me. Since the studio’s massive saga-ender Avengers: Endgame, I have continued going to the theater to see each new entry in the Marvel Cinematic Universe. None of these films have moved me in any sort of way. I simply show up, sit numb in the dirty theater seat, and then leave the film without any strong emotions whatsoever. Even Spider-Man: No Way Home, a film many enjoyed, left me strikingly cold. I simply no longer care about this multi-franchise empire.

However, something about James Gunn’s take on the Guardians works on me in a different way. Where Marvel’s phase four (are we on four? five?) felt like a series of films introducing or re-introducing characters without a meaningful sense of Continue reading Guardians of the Galaxy Vol. 3 (2023) Movie Review

John Wick: Chapter 4 (2023) Movie Review

My relationship with the John Wick films has been a turbulent one. My review for John Wick: Chapter 3 — Parabellum revised my review of John Wick: Chapter Two. In re-watching the films in preparation for this new, epic-length chapter, I found my fondness for the first film waning. There is enjoyment to be had in all three films, and the stunt work in the first film was arguably a wake-up call to the rest of Hollywood to step up their action movie product.

But I have also found myself increasingly exhausted by the prolonged action sequences, flurries of bullets, and metric ton of broken glass. I had to question, then, what my response to an almost three-hour long fourth film in this franchise might be. My expectations were in flux. Parabellum is Continue reading John Wick: Chapter 4 (2023) Movie Review

Operation Fortune: Ruse De Guerre (2023) Movie Review

Guy Ritchie has spent the most recent stretch of his career making passable yet somewhat anonymous and, frankly, lacking action pictures. Following the bungled Aladdin live action film for Disney, which I don’t think was necessarily Ritchie’s fault (he wasn’t the right choice for the material to begin with), he has been trying to get back to the brand of film that made him a name in the first place.

The Gentlemen was fine but not my bag. Wrath of Man has some nice sequences but is repetitive and drab. This time out, Ritchie goes for a sprawling, international espionage thriller — he’s trying for a James Bond or Mission: Impossible vibe.

The film opens with your standard issue “gathering up the usual suspects” routine. Two government bureaucrats (Cary Elwes and Eddie Marsan) discuss the crew for their next important job — something involving Continue reading Operation Fortune: Ruse De Guerre (2023) Movie Review