Michael (Mark Duplass) sits in a doctor’s office listening to his diagnosis. Andy (Ray Romano) stands at his side. They’re friends, of a sort, though their go-to descriptor for the relationship is “neighbor.” As Andy tries to wrap his head around Michael’s diagnosis—cancer, most likely of the terminal variety—he stammers. Flustered, he tries to get a straight answer out of the doctor, who has nothing to offer.
Then, Michael and Andy go about their regular day. They play a racquetball variation called “Paddleton.” They watch the same kung-fu movies on VHS. They do puzzles together. They say little and share a lot.
It is the busiest time of year for the film world. With awards season on the horizon, studios are juicing voter ballots with For Your Consideration screeners. As I was recently granted membership into the Online Film Critics Society, this the first year where I myself have been given the honor of receiving these promotional screeners.
Bo Burnham is a stand-up comic with a distinct style. Semi-musical, semi-poetic, always frantic and unpausing, he skewers media and self-reflexively dissects the public perception of artistry. “Art is dead,” he sings in one song. “Some people think you’re funny / how do we get those people’s money?” His seemingly cynical take on the entertainment industry is curbed by his indictment of self. He implicates himself—“My drug’s attention / I am an addict / but I get paid to indulge in my habit”—in order to subvert the creator-as-god mentality.
The teenage bildungsroman is a common narrative formula. Lady Bird, Greta Gerwig’s directing debut (she also serves as screenwriter), may be another addition to the list, but it does not feel like another tired addition. If anything, it exists in this long line of coming of age films as as much of a standout as the film’s eponymous role: a personality so bold and big but also honest that it demands to be taken on its own merits.
In Anatomy of Hell, a woman (Amira Casar) pays a homosexual man (Rocco Siffredi) to watch her in her bedroom. This is after she saunters through a gay bar, committing herself to the tragic isolation of none of them wanting anything to do with her, and slits her wrist in the bathroom.
The complicated sexuality of Romance is problematic. Not entirely so, as the film explores a side of sexuality that is often left unexplored. But the screenplay reduces sexual philosophy to a binary matter. Even when the shoe is on the opposite foot, entering the perspective of Continue reading Romance (1999) Movie Review→
Good Time opens on a brutal scene in which the mentally handicapped Nick (Benny Safdie, who also co-directs) free associates with a psychiatrist. It is a scene told entirely in tight closeups. Nick stares on at the therapist, at first emptily as he struggles to answer the questions in abstract ways. Then, his still blank face breaks into tears. It is a truly engaging scene that effectively draws you into the film.
For the sake of maintaining the integrity of the Brigsby Bear story (penned by Kevin Costello and star Kyle Mooney) it is difficult to go into a review without a spoiler alert. This is namely because there is a story twist inherent in the premise of the film.
Given that marketing of the movie has not been too widespread, I think it is best to throw out a spoiler warning just to be safe, even though this review will only get into a basic summary of the film’s premise.
After his fiance’s (Alison Brie) untimely death, Joshy’s (Thomas Middleditch) wedding is called off, but the house reserved for his bachelor party is still available. Not able to get their deposit back on the house rental, Joshua and his friends decide to have a “boy’s weekend.” As light as they want the weekend to be, though, reality threatens to impede on the proceedings.
Ben (Viggo Mortensen) raises his children under a strict survivalist patriarchy in the woods. They wear caked mud as camouflage to stalk and hunt game. They train in knife combat. At night they read books on quantum mechanics and high literature. It is an extreme form of home schooling, in a way, if home was a forest and school taught you how to skin a deer.
Ben is trying, but he is a loving father. The family’s life appears serene in its isolation and in spite of nature’s harshness, but, like the ever-pressing power of globalization, the outside world Continue reading Captain Fantastic (2016) Movie Review→
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