Action/Thriller, All Movie Reviews, Leave it, Long Reviews (>400 Words)

Captain America: Brave New World (2025) Movie Review

I’d be lying if I told you that I was a Marvel fan. I’d be lying if I told you that I have held even an iota of anticipation for the last phase of Marvel films (I didn’t even watch The Marvels). That said, I can’t clearly see how a Marvel fan would get much of satisfaction out of the MCU’s latest outing, Captain America: Brave New World. Unless you are a die-hard stan for fictional metals from the Marvel universe, even the easter eggs in this are going to come off as sub-par.

Marvel appears to be hoping that the back-half of their 2025 slate – made up of Thunderbolts* and Fantastic Four: First Steps – will drum up some sort of resurgence for the MCU. These films also serve as the bridge between Marvel’s fifth and sixth phases, meaning that Continue reading Captain America: Brave New World (2025) Movie Review →

2025 Academy Awards, Long Reviews (>400 Words)

Academy Awards 2025: Oscar Race Changes Direction after Critics, DGA, and PGA Announce Winners

Heading into this weekend, the 2025 Oscar season was already a complicated conversation. Embroiled in controversy, the one-time favorite from Netflix, Emilia Pérez, found its awards chances slipping through its fingers. The film was already a controversial film when it left Oscar nomination morning with the most nominations (13). The ensuing discovery of not-so-old social media posts from actress Karla Sofia Gascon has added significant baggage to the film’s campaign.

In an attempt to cut Gascon out of the film’s broader Oscar campaign, director Jacques Audiard has distanced himself from the actress and denounced her posts (Audiard himself has received his own share of criticism for some interview faux pas). And Gascon has stopped campaigning alongside the film’s other nominees.

Still, a meaningful rebound for Emilia Pérez will be difficult, and frankly there is not a lot of time left for Netflix and the film’s stable of nominees to convince Academy voters to stick with the film that they gave a baker’s dozen nominations.

The frontrunner status for Emilia Pérez was Continue reading Academy Awards 2025: Oscar Race Changes Direction after Critics, DGA, and PGA Announce Winners →

All Movie Reviews, Horror, Leave it, Long Reviews (>400 Words), Psychotronic

F CinemaScore Double Features: mother! (2017) and Moonchild (1972)

This is a new series centering on films which have received “F” scores from CinemaScore. CinemaScore polls theater-goers during a film’s opening weekend, gauging the average consumer’s thoughts on new releases. An F CinemaScore is potentially a PR nightmare for a film, as it indicates that, on the main, the people most excited to see a film on its opening weekend hated it.

We’ve covered F CinemaScore films on this site before, including Andrew Dominik’s Killing Them Softly (which I think is fairly great) and the subject of this article, mother! With this series, we pair an ill-fated F CinemaScore movie with a second, thematically similar film and make a double feature out of it. Today’s double feature pairs Darren Aronofsky’s mother! with Alan Gadney’s New Age, surreal spiritual journey film Moonchild.

This is Part 1 of an ongoing series. However, future installments will be published on a new Substack newsletter called Bleeding Eye Cinema. Part 2 of the CinemaScore Double Feature series is already live at that site. On Bleeding Eye Cinema, we take a look at weird, WTF, underseen, cult, psychotronic, B- and Z-grade, and all other manner of headache-inducing movies. Come join us and let the CRT electron beams melt the jelly off your eyeballs!

Moonchild (Alan Gadney, 1972)

Moonchild begins with a quote from clairvoyant Edgar Cayce, an influential figure in what would come to be known as the New Age movement: “You may not even have to come back at all if you become perfectly developed in this life…”

One of Cayce’s trance-induced contributions to culture were his proclamations to the existence of fictional locations like Atlantis. Cayce may be the most fitting place to enter into Continue reading F CinemaScore Double Features: mother! (2017) and Moonchild (1972) →

2025 Academy Awards, Award Ceremonies, Long Reviews (>400 Words)

Surprises from the 2025 Oscar Nominations

Spoiler alert: There aren’t many.

The 2025 Academy Awards nominations have been announced, officially solidifying the Oscar campaigns of a number of awards hopefuls.

Many of the films nominated were the ones prognosticators were expecting. Truly, the most shocked I was watching Bowen Yang and Rachel Sennott announce the nominees was seeing the Elton John song get a Best Original Song nomination. Even with this, after thinking about it for a moment, it made reasonable sense as a nomination.

As much as we can talk about surprises, these are the snubs and unexpected noms from this morning’s announcement.

Best Picture Snubs

Given the Academy’s recent track record of nominating a buzzy non-American production in Best Picture (this year there are two), it is not a total shock to see Continue reading Surprises from the 2025 Oscar Nominations →

Psychotronic

Introducing: Bleeding Eye Cinema on Substack

Happy New Year, dear reader! 2025 is a special year at CineFiles Reviews, as the arbitrary markings of time that we have chosen to organize our lives around dictate that it is this site’s 10th anniversary.

To celebrate, I have ventured to begin a new outlet for film criticism: Bleeding Eye Cinema. There is a category of odd media that I would like to cover but which does not necessarily fit nicely within this site’s coverage of mainly new releases. I have dabbled in it here before, with a short series on psychotronic movies and occasional one-off analysis pieces about wacky misfires like Foodfight!. By and large, though, the style of writing here generally hews closer to the stuffy, boring film criticism voice, where I snidely look down my nose at contemporary cinema and pretend to have what they call “expertise” on the subject.

This is all to say that the writing style at Bleeding Eye Cinema is slightly different, and I think it is best to Continue reading Introducing: Bleeding Eye Cinema on Substack →

Lists, Long Reviews (>400 Words)

The 10 Best Movies of 2024

Out goes one year; in comes the next. A steady temporal turnstile incessantly reminding us that while we may slow down, the astronomical structures dictating our cultural conception of time are rigid enough as to appear as a constant. In other words, my eyes need a rest.

In other other words, it is best-of-the-year time for all matters cultural discourse. There really is little value to it, this arbitrary comparison between pieces of media based on a calendar release date (usually region-specific, to make it all the less comprehensive). The numbers mean virtually nothing. The voices speaking are minuscule, as they beat the drum for individual and subjective tastes but under the guise of a universal acceptance that these here cultural objects are worth categorizing and hierarchizing into list-like structures for other people’s amusement (and, often, a confirmation of those other people’s own individual and subjective tastes).

In short, I am one iota of cultural detritus contributing to this “online discourse” problem, fueling factional groupthink under some self-prescribed claim to expertise. Or I just feel like Continue reading The 10 Best Movies of 2024 →

All Movie Reviews, Drama, Like It, Long Reviews (>400 Words), musical

A Complete Unknown (2024) Movie Review

No matter how you want to trace the lineage of the music biopic, we don’t arrive at a formula-to-an-absolute-fault film like Bohemian Rhapsody without first traveling through James Mangold’s Walk the Line. To see Johnny Cash resurface in Mangold’s return to the genre (now played by a perpetually suave Boyd Holbrook) is like witnessing a poltergeist haunting another film. Or a demon that somehow escaped total exorcism from Walk Hard: The Dewey Cox Story, a superior take down of the music biopic and a film that remains culturally relevant so long as Hollywood continues churning out mediocre celebrations of celebrity.

Walk the Line was a crossover success, breaking $100 million at the box office, garnering generally positive reviews, and earning a number of accolades including an Oscar for Reese Witherspoon. A Complete Unknown is angling to do the same. The problem (perhaps) is that Continue reading A Complete Unknown (2024) Movie Review →

Action/Thriller, All Movie Reviews, Leave it, Long Reviews (>400 Words)

Carry-On (2024) Movie Review

Carry-On is the dumb-as-rocks holiday crowd pleaser of the year, and many involved in its execution are game for embracing the buffoonery.

Director Jaume Collet-Serra had graduated from low-budget horror and slick low-budget action films to the Hollywood studio big leagues. To be clear, this graduation implies only an elevation in budgetary cushion, as his films for Disney and Warners — Jungle Cruise and Black Adam respectively — gave up propulsive energy for glossy studio sheen. Jungle Cruise is mildly entertaining and pleasant enough, for what it’s worth. But it feels like a lazy river compared to even the lowliest of Liam Neeson thriller. And Black Adam…well, we saw how that turned out.

In returning to the high concept action-thriller in the vein of the airport novel, but doing so under the Netflix banner, Collet-Serra scales back from the Continue reading Carry-On (2024) Movie Review →

Lists, Long Reviews (>400 Words)

The 10 Worst Movies of 2024

Every year, I waffle in my decision to publish a worst-of year end list or to abstain. In most instances, it is an empty exercise to contribute to the ongoing discussion over the churn and lack of creativity in the media industries, and in Hollywood in particular.

On the other hand, negativity is not only the Internet’s main reason for being; it can also be productive. With each passing year in which franchises continue to circle the box office drain, celebrities fluff themselves up in vanity projects, and cheap cash grabs slip under the cultural radar, it feels more useful to mock than to ignore. In short, standards are necessary. And the bar doesn’t have to be high, either. Something always slips under like a world class limbo competitor.

These are 10 of those films which didn’t make the grade in 2024.

10. Ghostbusters: Frozen Empire

Despite minor improvements over the previous installment, Ghostbusters: Frozen Empire proves that nostalgia-driven intellectual property maintenance has a ceiling so low that Continue reading The 10 Worst Movies of 2024 →

All Movie Reviews, Horror, Long Reviews (>400 Words)

Screamfest 2024 Movie Reviews

The Screamfest Horror Film Festival recently wrapped up its 24th annual edition at the TCL Chinese Theatre in Los Angeles, California. Here are reviews of a selection of the program’s films.

Antropophagus Legacy

Dario Germani’s Antropophagus Legacy is, perhaps, a continuation of his 2022 film Antropophagus II, itself a sequel (if only in name) to the 1980 cult cannibal film Antropophagus.

This flesh-eating entry follows Hanna (Valentina Corti), who we meet recovering in a hospital bed after her husband’s death (which she is promptly accused of). It is revealed to Hanna by a nurse that Continue reading Screamfest 2024 Movie Reviews →

One man. Thousands of movies.