Lists

Top 10 Worst Films of 2019

Update – December 21, 2019, 8:00 pm: Cats was added to Dishonorable Mentions

2019 was a very good year for movies. In my opinion, there are (at least) three masterpieces coming out of this calendar year. But every film cannot be a masterpiece. Some films fail, are made poorly, or are downright offensive. 2019 had plenty of those, as well.

You can like what you like. I won’t stop you. If you like any of the films on this list, that’s fine with me (if you like the number one film, though, maybe we shouldn’t hang out). These are simply my personal least favorite films of 2019.

Dishonorable Mentions: The Angry Birds Movie 2, Cats, Fractured, Godzilla: King of the Monsters, Guns Akimbo, Hellboy, The Lion King, Miss Bala, Pet Sematary, Replicas, The Upside, What Men Want

10. The Curse of La Llorona

There is a long history of La Llorona, or “The Crying Woman,” in film. But the figure of urban legend was not well known by American audiences before Continue reading Top 10 Worst Films of 2019 →

2020 Academy Awards, Lists

2019 CineFiles Awards — Best Films of the Year

I do a lot of awards season coverage on this site (admittedly, much less of it this season). For the amount of attention the Academy Awards is given on CineFiles, I don’t always agree with the choices the Academy makes. As such, in this end-of-year sprint to catch up on as many movies as possible, I decided to put together a ballot of my own personal favorites of the year.

The ballot covers all Oscar categories except the three short film categories, as I have seen only a small number of short films this year. Other films I find noteworthy—including my favorite short film of the year—are given Continue reading 2019 CineFiles Awards — Best Films of the Year →

Action/Thriller, All Movie Reviews, Leave it, Long Reviews (>400 Words), Sci-Fi/Fantasy

Star Wars: The Rise of Skywalker (2019) Movie Review

There is something completely understandable and, to  an extent, forgivable about the slapdash, lumpy, and largely hollow pieces that shape the narrative of Star Wars: The Rise of Skywalker. There is a distinct feeling, present from the opening scene of The Rise of Skywalker, that J.J. Abrams started this race a lap behind (Abrams was brought on late to the film after Disney parted ways with Colin Trevorrow).

It is a feeling that some higher power, whether it be Abrams or Kathleen Kennedy or whoever, decided to Continue reading Star Wars: The Rise of Skywalker (2019) Movie Review →

All Movie Reviews, Drama, Like It, Long Reviews (>400 Words)

A Beautiful Day in the Neighborhood (2019) Movie Review

When me meet Lloyd Vogel (Matthew Rhys) at the start of A Beautiful Day in the Neighborhood, the new Fred Rogers biopic directed by Marielle Heller, he is giving a speech at the National Magazine Awards. Having won the year before for his tough-headed journalism that doesn’t make him many friends, Lloyd is presenting the award to this year’s recipient. Without any vigor or pomp, he delivers his canned address by making appeals to the power of journalism. With magazines, Lloyd and his peers can “change a broken world with [their] words.”

But Lloyd clearly doesn’t believe that. At least, he doesn’t have the Continue reading A Beautiful Day in the Neighborhood (2019) Movie Review →

A Movies, All Movie Reviews, Drama, Long Reviews (>400 Words), Love It

An Elephant Sitting Still (2019) Movie Review

In the case of An Elephant Sitting Still, there is tragedy both on- and off-screen. The news of novelist and filmmaker Hu Bo’s suicide has been documented in many reviews for his first feature film, and it is hard not to equate the tragedy to the events unfolding on-screen in his four-hour-long tragi-epic, where the sadness and isolation of the world weighs heavy on every frame.

To mythologize An Elephant Sitting Still as a suicide note, however, would be a disservice, a superficial writing off of what is one of the most fully-realized cinematic visions of the last few years. The film is a swan song, sure, and the song it sings is a solemn symphony showcasing Continue reading An Elephant Sitting Still (2019) Movie Review →

All Movie Reviews, Drama, Like It, Long Reviews (>400 Words)

Ford v Ferrari (2019) Movie Review

In Ford v Ferrari, director James Mangold, working from a script by Jez Butterworth; John-Henry Butterworth; and Jason Keller, aims to capture the euphoria found inside the dangerous world of racing. The opening voiceover from Matt Damon’s car-driver-turned-car-dealer Carroll Shelby expresses a longing for that moment when the car peaks at 7,000 revolutions per minutes. At this speed, the car becomes weightless, a non-existent entity, and the driver simply moves along the open air as if carried forth through pure adrenaline alone.

Mangold eventually gets to a place where his film can attempt to distill that euphoric, high-adrenaline feeling. Certainly, there is Continue reading Ford v Ferrari (2019) Movie Review →

All Movie Reviews, Drama, Leave it, Long Reviews (>400 Words)

Motherless Brooklyn (2019) Movie Review

Lionel Essrog (Edward Norton) is an assistant private investigator working under a man named Frank (Bruce Willis). Frank is his mentor, his father figure. Lionel was an orphan when he was taken under Frank’s wing. When Frank is murdered, it is only natural that Lionel will do whatever is necessary to uncover the reason behind his death. What he does not expect, though, is how entrenched this mystery is within a conspiracy of political power.

Lionel suffers from Tourette’s Syndrome. He is also OCD and can remember every word a person says. In terms of characterization, it is kind of Continue reading Motherless Brooklyn (2019) Movie Review →

All Movie Reviews, Horror, Leave it, Long Reviews (>400 Words)

The Gallows Act II (2019) Movie Review

I have to admit: I can’t remember a whole lot about The Gallows, the micro-budget horror film from 2015 that found a massive ROI despite strong negative reaction from audiences and critics. What I do remember is being unimpressed. But the film was financially impressive enough, shoring up almost $43 million on a reportedly $100,000 budget. Certainly enough to warrant the greenlight for a sequel.

From what I can tell, there is no plan for a national rollout of this sequel. The Gallows Act II, directed by the same duo as the first film (Travis Cluff and Chris Lofing), is playing in Continue reading The Gallows Act II (2019) Movie Review →

Action/Thriller, All Movie Reviews, Drama, Like It, Long Reviews (>400 Words)

Gemini Man (2019) Movie Review

There is nothing particularly novel about the setup of Gemini Man. Will Smith plays Henry Brogan, a master assassin with 72 kills under his belt. He is on the verge of retirement, and the government organization that hires him, the Defense Intelligence Agency, sends the next great thing in assassination against him.

The first act is a thorough illustration of Brogan’s unmatched skill. He evades, he eviscerates, he saves. He exposes the young agent who has been tasked with surveilling him (Mary Elizabeth Winstead). He looks down the sights of plenty of guns (with the gun cocked at a super cool angle). Long story short, Continue reading Gemini Man (2019) Movie Review →

All Movie Reviews, Drama, Leave it, Long Reviews (>400 Words)

Joker (2019) Movie Review

Todd Philips Joker is going to be controversial and divisive (in many ways, it already is). This is to say, it will be needlessly controversial and divisive. This is not to say that Philips is not aiming for provocation, or that those worried about the film’s content are in the wrong for it. But this is also to say that, in the end, Joker is nothing more than a hollow experience meant to be edgy without any true substance. Which is not to say that Philips and co-writer Scott Silver do not attempt at a statement on something beyond the film. It is just that the thin political subtext is almost laughably myopic.

And that is the only laughable thing about the film. This “origin story” of the DC Comics villain has the most Continue reading Joker (2019) Movie Review →

One man. Thousands of movies.