There is something completely understandable and, to an extent, forgivable about the slapdash, lumpy, and largely hollow pieces that shape the narrative of Star Wars: The Rise of Skywalker. There is a distinct feeling, present from the opening scene of The Rise of Skywalker, that J.J. Abrams started this race a lap behind (Abrams was brought on late to the film after Disney parted ways with Colin Trevorrow).
It is a feeling that some higher power, whether it be Abrams or Kathleen Kennedy or whoever, decided to Continue reading Star Wars: The Rise of Skywalker (2019) Movie Review
On June 6, 1944, the dawn of D-Day, a plane of American soldiers are crossing over enemy lines with a crucial assignment: take down a German bunker sited under a church tower so the military fly boys can give cover to the boats landing on the beaches. As we learn this mission, sitting in the rattling confines of the flyer where characters’ voices are muffled under the constant thrum of the war around them, the plane is shot out of the air. The few survivors must pick up the pieces of the fractured mission and carry on, knowing that failure to set explosives on the tower could mean the failure of the entire D-Day operation.
Oh, and there are Nazi zombies, as well.
Overlord, the new film from Julius Avery and produced by J.J. Abrams, takes the concept of insidious WWII Mengele-inspired experimentation and broadens it to horror genre extremes. B-movie horror extremes, in particular.
Now, to call this Continue reading Overlord (2018) Movie Review
One man. Millions of movies.