Mutant Action, Dr. Lamb and Blue Sunshine are screening as part of the Fantasia Retro series at the 2022 Fantasia International Film Festival.
Álex de la Iglesia’s Mutant Action looks like it owes a debt to the works of Paul Verhoeven. The tale of a fringe terrorist group made up of “mutants” is set against the backdrop of Continue reading 2022 Fantasia Festival Movie Reviews — Mutant Action, Dr. Lamb, Blue Sunshine
The Roundup and Popran are screening as part of the 2022 Fantasia International Film Festival, which runs from July 14 – August 3.
The Roundup is the sequel to the fan favorite The Outlaws from 2017. Admittedly, I have not seen this first film, but one hardly needs to to get invested in Continue reading 2022 Fantasia Festival Movie Reviews — Popran, The Roundup
Swallowed, Special Delivery, and Employee of the Month are screening as part of the 2022 Fantasia International Film Festival, which runs July 14 – August 3.
Benjamin (Cooper Koch) is moving away to Los Angeles to pursue a career in the adult entertainment industry. During their final night together, he and his best friend Dom (Jose Colon) tie one on, culminating in a surprise Continue reading 2022 Fantasia Festival Movie Reviews — Swallowed, Special Delivery, Employee of the Month
The Diabetic is screening as part of the 2022 Fantasia International Film Festival, which runs July 14 – August 3.
Shot on Hi-8 and transferred to 16mm, The Diabetic is hazy and grainy, a distinct aesthetic choice to mirror the protagonist’s harried state. His name is Alek (James Watts), and he seems dead-set on going on a bender.
Returning home to see his parents, early-30-something Alek reaches out to anyone still in town in pursuit of a drink and some company. A type one diabetic, Alek continues taking shots and doing drugs through the night despite Continue reading Review: The Diabetic — Fantasia Festival 2022
The Fantasia International Film Festival returns for its 26th edition, which will run from July 14 – August 3. Some of my favorite movies of the last two years — films like Labyrinth of Cinema, Mad God, and We’re All Going to the World’s Fair — played Fantasia. And I anticipate being pleasantly surprised by a few films this year, as well. To preview the fest, here’s a quick sample of what this year’s program has on offer.
The title of Alex Phillips feature debut sort of says it all. The Fantasia program claims All Jacked Up and Full of Worms is inspired by Continue reading Fantasia Festival 2022 — 6 Films to Have on Your Radar
Park Hoon-jun’s The Witch: Part 1. The Subversion was a financial success upon its release in 2018, and it garnered some accolades in South Korea and beyond, particularly for its lead performer Kim Da-mi. It is altogether an exciting film, blending gritty action with more fantastical, comic book adjacent tropes (the medical experiments central to the premise are similar to the Weapon X program of X-Men lore). For its reported budget of US $5.5 million, the film looks slick. It’s a fun time.
The Witch: Part 2. The Other One does some typical sequel things. Namely, it expands the world of this story. The Subversion is predominantly concerned with the narrative of Ja-yoon (Kim), an adopted young woman whose past catches up to her. Her unique abilities and ailments point backwards to her origin as the victim of a medical experiment. We follow her Continue reading The Witch: Part 2. The Other One (2022) Movie Review
The near-future of Crimes of the Future is marked by the progression of medical technology. And the progression of human evolution in the form of biological mutations. For some, vestigial organs and appendages serve as performance art pieces. Inner beauty takes on new meaning in a world like this. Saul Tenser (Viggo Mortensen) and Caprice (Lea Seydoux) have grown a reputation in the art world by performing live surgeries, during which Caprice removes useless organs which Tenser’s body spontaneously produces.
It is also implied that, in this future, “surgery is the new sex.” People’s tolerance for pain has drastically increased. Tenser remains wide awake as Caprice uses a mechanical autopsy machine to open his Continue reading Crimes of the Future (2022) Movie Review
Hustle opens in Serbia. Stanley Sugarman (Adam Sandler) is being led through dark back hallways to a gym. There, he finds a bona fide big man, a 7-footer who doesn’t just block a shot, he palms the basketball and slams it on the other end. For Sugarman, talent scout of the Philadelphia 76ers, this is a good sight. Unfortunately, this prospect is too old to qualify for the draft. Sugarman crosses him off the list and moves on to a series of other not-quite-good-enough international players.
The 7′ 4″ Serbian prospect from that opening scene is real-life NBA player Boban Marjanovic (the player also appeared in a memorable cameo in John Wick: Chapter Three). Hustle is populated with numerous NBA figures, from Continue reading Hustle (2022) Movie Review
When I went to see Dr. Strange in the Multiverse of Madness, I was more excited by the “extended look” at Top Gun: Maverick than I was by the movie I had come to the theater to see. The ad was the dogfight training montage sequence that occurs early in the film, in which Tom Cruise’s Maverick hunts the helpless young Top Gun graduates with an all-out aerial assault, all set to the tune of The Who’s “Won’t Get Fooled Again.”
It is a cracker jack sequence, very exciting and well-edited. Within the context of the film, you realize that the joke of the sequence—that the first person to get “shot down” by Mav has to do 200 push-ups—doesn’t track across the entire montage. For some reason, the rules change halfway through the montage so that everyone who gets shot down by Mav has to do push-ups. But as an isolated sequence where the rules are not very important, it is a superb set piece.
This ad was the first time I felt genuinely excited for Top Gun: Maverick. Sitting in the theater for this sequel, coming 36 years after Tony Scott’s original, I soon realized that Continue reading Top Gun: Maverick (2022) Movie Review
In Chip ‘n Dale: Rescue Rangers, the new re-imagining of the ’90s cartoon IP, the eponymous rangers are washed up celebrities, has-beens of an earlier time only faintly remembered by the few fans who wax nostalgic. Mostly, though, no one has any clue who they are. Chip (John Mulaney) has retired from the spotlight and has made a good go of it as an insurance salesman. Dale (Andy Samberg), meanwhile, still clamors for the high of fame at fan conventions at a booth in “Retro Alley.”
Like most characters in the film, I have only vague recollections of Chip ‘n Dale — if anything, I have more of a memory for Continue reading Chip ‘n Dale: Rescue Rangers (2022) Movie Review
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