Tag Archives: Cannes

All Movie Reviews, Drama, Horror, Leave it, Long Reviews (>400 Words)

Crimes of the Future (2022) Movie Review

June 11, 2022 Alex Brannan Leave a comment

The near-future of Crimes of the Future is marked by the progression of medical technology. And the progression of human evolution in the form of biological mutations. For some, vestigial organs and appendages serve as performance art pieces. Inner beauty takes on new meaning in a world like this. Saul Tenser (Viggo Mortensen) and Caprice (Lea Seydoux) have grown a reputation in the art world by performing live surgeries, during which Caprice removes useless organs which Tenser’s body spontaneously produces.

It is also implied that, in this future, “surgery is the new sex.” People’s tolerance for pain has drastically increased. Tenser remains wide awake as Caprice uses a mechanical autopsy machine to open his Continue reading Crimes of the Future (2022) Movie Review →

All Movie Reviews, Drama, Like It, Long Reviews (>400 Words)

Bull (2020) Movie Review

March 17, 2020 Alex Brannan Leave a comment

Annie Silverstein’s feature debut, Bull, follows the intersecting stories of an ex-rodeo star turned bull wrangler named Abe Turner (Rob Morgan) and a teenager named Kris (Amber Havard) whose home life necessitates her independence. The two cross paths when Kris breaks into Abe’s house, stealing his alcohol and hosting a party there in order to impress her peers. Instead of turning her into the police, Abe sets Kris to work on his house. But Kris would have preferred to go to juvenile detention.

It is in this moment, sitting in the back of a police car, when Kris’ character first Continue reading Bull (2020) Movie Review →

All Movie Reviews, Drama, Long Reviews (>400 Words), Love It

Loveless (2017) Movie Review

October 25, 2017 Alex Brannan Leave a comment

Loveless, Russian director Andrey Zvyagintsev’s follow up to the Oscar-nominated Leviathan, truly lives up to its name. Bleak in both style and tone, the epic drama follows the disappearance of a young boy (Matvey Novikov) and the effect it has on his mother Zhenya (Maryana Spivak), his father Boris (Aleksey Rozin), and their respective lovers.

The film implicates its audience in its social commentary—the gratuity of the film’s elongated final shot makes that pretty clear. But it is Zvyagintsev’s sense of Continue reading Loveless (2017) Movie Review →

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Land and Shade (La Tierra y la Sombra) (2015) Movie Review

June 17, 2016 Alex Brannan Leave a comment

Alfonso (Haimer Leal) travels to his old home, where he meets the family he abandoned: his wife (Hilda Ruiz), his ailing son (Edison Raigosa), the son’s wife (Marleyda Soto), and his grandson (Jose Felipe Cardenas).

The first few shots of the film are Continue reading Land and Shade (La Tierra y la Sombra) (2015) Movie Review →

All Movie Reviews, Drama, Indie Films, Long Reviews (>400 Words), Love It

White God (2014) Movie Review

August 28, 2015 Alex Brannan Leave a comment

In the Hungarian film White God, young Lili’s (Zsofia Psotta) mixed-breed dog Hagen (Body and Luke) is abandoned by her overbearing father (Sandor Zsoter) and left for dead. Now a stray, Hagen wanders the streets fruitlessly searching for his owner, only to find himself among a group of other strays who run about the city avoiding the human world that has rejected them.

Large swathes of the first half of this film show Hagen walking through heavy-trafficked streets, moving in and out of the hands of various dog-hating lowlifes. At times, minutes go by without Continue reading White God (2014) Movie Review →

All Movie Reviews, Drama, Horror, Like It, Long Reviews (>400 Words)

Irreversible (2002) Movie Review

April 26, 2015 Alex Brannan 4 Comments

Caution: Minor Plot Spoilers Ahead.

Gaspar Noe’s Irreversible is not easy to watch. Midway through the film, the camera remains a static, unflinching observer to Monica Bellucci’s Alex as she is violently raped in a stark blood-red tunnel by a stranger (Jo Prestia). The camera, and thus the viewer by proxy, is a voyeur, a peeping tom viewing the proceedings of the night with cold nihilism.