Tag Archives: 2022

Resurrection (2022) Movie Review

Resurrection premiered at the 2022 Sundance Film Festival.

Films which hinge on a central revelation are difficult to talk about. The experience of a film like this can be significantly altered if one already knows the revelation ahead of time. I won’t go into much detail about the plot of Andrew Semans’ Resurrection, for this reason. Just suffice it to say that your curiosity and subsequent shock at the revelation in Resurrection are required components to enjoying the film. And I think the film thoroughly fumbles its central conceit.

Which is not to say that the mystery surrounding the strange situation unfolding in front of us is not compelling, nor that the reveal itself is not Continue reading Resurrection (2022) Movie Review

Watcher (2022) Movie Review

Watcher premiered at the 2022 Sundance Film Festival and is competing in its U.S. Dramatic competition.

Chloe Okuno’s feature debutĀ Watcher is a thriller in the Rear Window tradition. Americans Julia (Maika Monroe) and Francis (Karl Glusman) move to Bucharest after Francis receives a promotion. Julia does not have a job here and does not speak Romanian, two facts which isolate her in her new environment, leaving her on edge as she goes about her days largely alone. And it does not help that Continue reading Watcher (2022) Movie Review

Emergency (2022) Movie Review

Emergency premiered at the 2022 Sundance Film Festival and is competing in the festival’s U.S Dramatic competition.

Carey Williams’ 2018 film Emergency won Sundance’s Special Jury Prize for short-form filmmaking. He adapted this short, with KD Davila serving as screenwriter, into a feature film of the same name. The film is one part buddy comedy, one part coming-of-age movie, and one part drama reflecting on multiple tensions present in the American conscious. If this sounds like three things which do not go together, you aren’t wrong. The extent to which one buys into the tonal tightrope walk Emergency is attempting is crucial to the enjoyment of the film.

I bought in. Perhaps not hook, line, and sinker. But taking this film on its own terms, following it through its kinks and lumps, I was met with a Continue reading Emergency (2022) Movie Review

Scream (2022) Movie Review

The extra-textual more or less fuels Hollywood at this point. Intertextuality and metatextuality exists in all manner of blockbuster cinema. And this certainly bleeds through to the audiences. Even casual moviegoers have become intimately aware of the larger, interconnected puzzle that makes up the Marvel cinematic universe, enough so that Spider-Man: No Way Home is released not as some esoteric nerdcore comic book movie which only the most knowledgeable fans are able to follow. No, it is one of the most profitable films ever, regardless of pandemic concerns.

This is not to discredit audience literacy over the way Hollywood functions, of course. And the self-referential, metatextual, etc. has been around in cinema for Continue reading Scream (2022) Movie Review

The 2022 Golden Globes Proves that TV Can Still Shape Cultural Relevance

The Golden Globes awards were announced last night, January 9. No red carpet. No fanfare. No televised event. Just the Hollywood Foreign Press Association (HFPA) sending out the names of winners via social media. The full list of winners was later publicized in a press release. It was nothing compared to previous years, where the star-studded event has been known for launching Hollywood’s award season.

The HFPA was hit with controversy in 2021, resulting in the Golden Globes losing its right to Continue reading The 2022 Golden Globes Proves that TV Can Still Shape Cultural Relevance