Alex Garland’s previous film, Men (2022), was provocative, but it provoked one’s attention for the sake of a statement without much depth to it. Civil War, the filmmaker’s latest, is marketed and branded as a highly provocative sign-of-the-times political thriller. It wants on the one hand to be an eerie premonition of where the United States Democracy is heading as the country trudges through yet another contentious election year. But it is, in execution, far less provocative than it hopes to be, despite claiming to have a deeply resonant statement to make.

If Civil War is on the one hand an aspiring premonition, it is on the other a Continue reading Civil War (2024) Movie Review →