Tag Archives: Colin Farrell

After Yang (2022) Movie Review

After Yang premiered as part of the 2022 Sundance Film Festival.

Kogonada’s After Yang is a magic trick of a film. The title refers to a “techno-sapien” sibling (Justin H. Min), an android who serves as a caretaker and mentor for Mika (Malea Emma Tjandrawidjaja), the adopted child of Jake (Colin Farrell) and Kyra (Jodie Turner-Smith). While Jake and Kyra are too busy in their working lives, Mika has Yang, and she has grown very attached to him. The film takes place, largely, “after” Yang, in that he malfunctions early on and Jake spends most of the film attempting to get him repaired.

The magic trick comes to fruition roughly 45 minutes in, when Jake is able to watch a series of “memories” Yang stored in a small hard drive chip. They are all-too-brief snapshots of Continue reading After Yang (2022) Movie Review

The Gentlemen (2020) Movie Review

In 2019, Guy Ritchie’s live action Disney adaptation of Aladdin was released. It is a film with no discernible trace of Ritchie’s authorial stamp. He follows Aladdin up with The Gentlemen, a film that is so readily a return to Ritchie’s crime film origins that it almost appears as a parody.

The film is framed by a somewhat fidgety, gift of gab private eye named Fletcher (Hugh Grant), who has Continue reading The Gentlemen (2020) Movie Review

Dumbo (2019) Movie Review

Tim Burton’s live action Dumbo film begins by tracing, whimsically, the path of traveling Medici Bros. Circus. Burton flourishes this ride, particularly as the train passes through a tunnel that morphs into the twirling red and white of a circus tent.

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As energetic as this opening trek is, the Medici Bros. (“Bros.,” it bears noting, is a misnomer. A single Medici (Danny Devito) serves both roles), the circus has Continue reading Dumbo (2019) Movie Review

Widows (2018) Movie Review

Steve McQueen is achieving something rare in modern filmmaking: he is a known-name director who does not adhere to auteur theory. With four feature films under his belt, McQueen has ventured into multiple genres, engaging with them using different filmmaking styles.

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In Widows, his latest, he takes on the heist genre. With shades of Continue reading Widows (2018) Movie Review

Roman J. Israel, Esq. (2017) Movie Review

It wouldn’t be surprising if you only know of the film Roman J. Israel, Esq. because the poster features the back of Denzel Washington’s head. It’s understandable. It’s not as if the name is particularly catchy. But Roman J. Israel, Esq. is the second directorial feature from Dan Gilroy, the man behind Nightcrawler and the scripts of such films as The Fall and Bourne Legacy.

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For someone who appreciated Nightcrawler, it is not unreasonable to anticipate good things from Gilroy’s follow up. Don’t be fooled. Roman J. Israel, Esq.—and I only keep reiterating the name because we are reminded of it time and time again in the film—is not Continue reading Roman J. Israel, Esq. (2017) Movie Review

The Killing of a Sacred Deer (2017) Movie Review

Rare are the films in which the atmosphere is disquieting from beginning to end. People will tell you that The Killing of a Sacred Deer isn’t a horror film. But there is no closer word to describe it. It is a film that is horrifying without an abundance of horror tropes. It is unsettling to a fault. It is the most unsettling film of 2017, perhaps.

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Having known nothing about The Killing of the Sacred Deer before entering the theater, I will suggest others do the same. What I will tell you is that Continue reading The Killing of a Sacred Deer (2017) Movie Review

Irresponsibly Early Oscars 2018 Predictions: Best Actor

None of these movies have been released (except for Get Out). Most of these movies don’t even have trailers released. But we’re talking about them anyway.

Hurrah, hearsay!

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Top Contenders:

Continue reading Irresponsibly Early Oscars 2018 Predictions: Best Actor

The Beguiled (2017) Movie Review

In a wooded hideaway in Virginia is a school for girls led by Miss Martha (Nicole Kidman). Three years deep into the Civil War, Confederate patrols make their way through the area frequently, but Martha and the girls also lie in fear of potential Yankee parties. They whisper stories of Union soldiers raping Southern women, painting uncivilized pictures of the unseen army.

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It is understandable, then, that the inhabitants of the plantation take to wounded soldier Cpl. John McBurney (Colin Farrell) with Continue reading The Beguiled (2017) Movie Review

2017 Golden Globes Predictions – Best Actor

The two best actor races at this year’s Golden Globes will be, in all likelihood, unsurprising. Both categories—in Drama and Musical/Comedy—are stacked with talent. But trends show that two clear front runners have emerged.

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Best Actor – Drama

Continue reading 2017 Golden Globes Predictions – Best Actor

Fantastic Beasts and Where to Find Them (2016) Movie Review

Newt Scamander (Eddie Redmayne), a researcher of magical creatures, travels from Britain to New York in this Harry Potter expanded universe film. When one of his creatures escapes his person at a bank in a delightful opening set piece, Scamander gets apprehended by the equivalent of a magic police officer (Katherine Waterston) and a Nomag (aka a Muggle) gets away with Scamander’s briefcase full of creatures.

This all set in a 1920s period piece landscape including a dangerous wizard criminal, a conspiratorial anti-witch Muggle, and a looming dark presence.

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David Yates returns to direct this Rowling-verse film (Yates directed the final four Potter films). Beasts has a similar feel to the Potter films in their warmer moments, although the film doesn’t Continue reading Fantastic Beasts and Where to Find Them (2016) Movie Review