The shortlist for the Academy Awards Foreign Language Film category surprised me for one particular reason, and that was the omission of Paul Verhoeven’s Elle. Incidentally, it is also the only film in the running that I had the opportunity to see before writing this article. So….we’re just gonna do the best we can.
Continue reading 2017 Academy Awards Nomination Predictions – Best Foreign Film
On the morning of January 24, the 2017 Academy Award nominations will be announced. Now that 2017 is finally upon us and Oscar season is in full swing, it is as good a time as any to discuss the potential nominees in all 24 categories.
Yes, I do have no life.
Click the links below for predictions.
The sound design Academy Awards. Oft overlooked and conflated, the sound editing and mixing are pivotal aspects of a film. A good soundtrack mix is seamless and unnoticeable, which is why the Academy likes to reward films with many sound elements that must be mixed. A good sound edit may also involve many sound effects on the soundtrack, or it may be something more subtle.
Here are my picks for Best Sound Editing and Best Sound Mixing.
Continue reading 2017 Academy Awards Nomination Predictions – Best Sound Editing/Sound Mixing
Best Original Song: the Grammy award of Academy Awards. I always am fascinated by what the Academy does with this category. Films yield very different styles of song, so much so that it often feels inappropriate to compare them to each other in an awards category. But that is exactly what we are here to do.
Continue reading 2017 Academy Awards Nomination Predictions – Best Original Song
Production Design is essentially set design. It is the mise-en-scene vision of what will be filmed, whether it be on a sound stage or on location. This said, there were a lot of stellar production design schemes in film in 2016. There is a wide field to pick from, but I’m going to try.
Continue reading 2017 Academy Awards Nomination Predictions – Best Production Design
The song and score categories feel like foregone conclusions this year, with one film playing right to what the sound categories are looking for. The real question is what will fill the other four nominee slots.
Continue reading 2017 Academy Awards Nomination Predictions – Best Original Score
There is a general formula to the Academy’s taste for costume design, and it generally involves period pieces. This year will be no different, although La La Land is not a period piece, per se, it merely feels like it is coming from a classical Hollywood time.
Let’s get into Best Costume Design nominations.
Continue reading 2017 Academy Awards Nomination Predictions – Best Costume Design
Where I find it difficult to compare the merits of screenwriting between films, I think judging the cinematics of a batch of films is somewhat easier. Quality cinematography strikes you in specific and noticeable ways, whereas a good script can sneak up on you. In 2016, we came across a number of visually striking movies. Let’s take a look at which ones will get Oscar nods.
Continue reading 2017 Academy Awards Nomination Predictions – Best Cinematography
As is often the case, the Academy acting awards feel like they have already been handed out. The phrase “the Oscar is X-actor’s to lose” is standard, and I will likely use the same phrase down the line this year. In 2016, Best Actor was Leo DiCaprio’s to lose, and he won. In 2015, Best Actress was Julianne Moore’s to lose, and she won. Etcetera, etcetera.
In 2017, there is a clear favorite and a few other contenders.
Continue reading 2017 Academy Awards Nomination Predictions – Best Actor
Best Motion Picture: the most coveted Academy prize. 2017 is shaping up to be a close race in the Best Picture category. For the sake of simplicity, let us assume for this conversation that the category will fill its maximum 10 nominations, even though it is more likely to be an eight or nine film field. The list below is ranked in the order of nomination likelihood.
Continue reading 2017 Academy Awards Nomination Predictions – Best Picture
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