The Academy Award sound categories are always very interesting. Where many of the other Oscar categories share many films, Best Sound Mixing and Best Sound Design allow for other films to get some Oscar love.
This year is no different (although, the major films are still more likely to win).
Best Sound Mixing:
Continue reading Academy Awards Predictions 2017 – Best Sound Mixing & Best Sound Editing
The sound design Academy Awards. Oft overlooked and conflated, the sound editing and mixing are pivotal aspects of a film. A good soundtrack mix is seamless and unnoticeable, which is why the Academy likes to reward films with many sound elements that must be mixed. A good sound edit may also involve many sound effects on the soundtrack, or it may be something more subtle.
Here are my picks for Best Sound Editing and Best Sound Mixing.
Best Sound Editing
Continue reading 2017 Academy Awards Nomination Predictions – Best Sound Editing/Sound Mixing
Production Design is essentially set design. It is the mise-en-scene vision of what will be filmed, whether it be on a sound stage or on location. This said, there were a lot of stellar production design schemes in film in 2016. There is a wide field to pick from, but I’m going to try.
Best Production Design
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The song and score categories feel like foregone conclusions this year, with one film playing right to what the sound categories are looking for. The real question is what will fill the other four nominee slots.
Best Original Score
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In 1977, the groundbreaking science fiction film Star Wars was released, featuring an opening text crawl describing a period of civil war in which a Galactic Rebellion has won their first victory. “During the battle, Rebel spies managed to steal secret plans to the Empire’s ultimate weapon, the Death Star.”
In 2016, Disney and director Gareth Edwards give us a visual representation of this event, the inception of the Galactic Civil War. Jyn Urso (Felicity Jones), the daughter of a reluctant Imperial engineer (Mads Mikkelsen) who is forced into the creation of the Death Star, is sprung from Imperial prison by the Rebellion. Jyn and an unlikely band of anti-Empire figures are tasked with finding Saw Gerrera (Forest Whitaker), which leads them on the trail of the Death Star plans that jump-started the original Star Wars trilogy.
Rogue One is the first “non-saga” Star Wars film, and it does feel distinctly Continue reading Rogue One: A Star Wars Story (2016) Movie Review