What makes a monster? It’s a question we can consider from two perspectives (two of many possible). The first is those primordial things that make up evil: those pieces of the human condition that must be foreclosed such that a person can do monstrous things. The second involves an act of creation. What is it within our civilized society that seeks to identify and call out the bad of humankind? Who crafts the narratives that cast some as villains and others as victims, and through what contexts are these narratives codified and/or agreed upon? At least…agreed upon enough that stories with monsters become tropes that are legible to us, or agreed upon enough that guilty verdicts can be reached in homicide cases.
Justine Triet’s Anatomy of a Fall presents us with a contained incident (the eponymous fall) and a proceeding attempt by many parties to Continue reading Anatomy of a Fall (2023) Movie Review →
The 2020, online-only edition of Fantasia Festival is less than a week away, and this year’s lineup is filled with intriguing genre films from around the world. Over the next few weeks, CineFiles will be bringing you coverage of the event, with both feature and roundup reviews from the fest.
Today, we look at three on-demand titles that are coming down the pike: Sleep, Yummy, and The Columnist.
Sleep

Marlene (Sandra Hüller) is plagued by nightmares of Continue reading Fantasia Festival 2020 Movie Reviews — Sleep, Yummy, The Columnist →
A father’s (Peter Simonischek) desperate, juvenile attempts at reaching his over-worked white collar daughter (Sandra Huller) is the subject of Toni Erdmann. Dressing up in fake teeth and a wig, the father becomes the titular character, a fictional businessman who is occasionally a life coach and occasionally a German ambassador. He follows his daughter around, sending her work life in flux during a time where securing a client is pivotal.

Toni Erdmann is a film that boasts its Continue reading Toni Erdmann (2016) Movie Review →
One man. Thousands of movies.