With many iterations of DC Comic’s caped crusader littering the last 40 years of blockbuster cinema, Matt Reeves’ The Batman may seem at first blush simply another go around the same old song and dance. It is certainly not without its comparisons. Most clear among them is this film’s affinity with Christopher Nolan’s trilogy, which DC has taken noticeable steps to visually and tonally distance itself from in recent years. Perhaps that is why this critic—more a fan of Nolan’s Batman than Zack Snyder’s—was immediately more engaged by Reeves’ take on the character.
But The Batman is no carbon copy of The Dark Knight. It comes with its own style. Nolan’s sleek and wide vision of Gotham City is replaced here with a decidedly more Continue reading The Batman (2022) Movie Review
As we are now two years into the COVID-19 pandemic, it only stands to reason that the entertainment industries are beginning to react to it with films and television which occur, diegetically, during the pandemic. Kimi is not the first, of course. Rob Savage’s Host, the Zoom-call horror movie, received quite a bit of attention on its release for its ultra-low-budget pandemic conditions. A fine, if not thin, riff on the found footage setup.
I bring up that Kimi features an in-fiction COVID pandemic only because its existence has impacted the agoraphobic protagonist, Angela Childs (Zoe Kravitz), at a fundamental level. While most people around her have moved on with their lives, returning to office life, riding public transit, most not wearing masks, the thought of leaving her flat sends Angela into a panic attack.
Luckily, Angela works as a tech troubleshooter for the Kimi AI, an Alexa clone whose success is leading its company to Continue reading Kimi (2022) Movie Review
It is 1927. Imprisoned wizard Gellert Grindelwald (Johnny Depp) is being transferred from New York to London to be tried for his crimes (in case you forgot Grindelwald was a criminal, see title). Known to be a silver tongue, conning others into doing his bidding Charles Manson-style, we are informed that the Magical Congress of America has removed his tongue (we learn later, inexplicably, that this is untrue). When Grindelwald is set out on flying carriage, it is revealed that he used his seductive trickery to coax a Congress employee into springing him free.
Once free, Grindelwald has two goals: kill Albus Dumbledore (Jude Law) and create a genocidal cult of wizard supremacists.
The Crimes of Grindelwald wants to be Continue reading Fantastic Beasts: The Crimes of Grindelwald (2018) Movie Review
Kin may secretly be the most infuriating movie of the Summer.
It starts out innocuous enough: a stereotypical depiction of Detroit, in which everyone we see is either struggling financially or making ends meet through crime. Eli Solinski (Myles Truitt) is suspended from school after a fight and spends his days doing chores for his adopted father (Dennis Quaid). His brother Jimmy (Jack Reynor) is en route, just out of prison.
Jimmy is the root of all of the family’s problems, it seems. He owes money to the people that offered him protection in prison. When Taylor (James Franco) catches wind that Jimmy may not have the $60 thousand required, he Continue reading Kin (2018) Movie Review
10 years after their senior year of college, Jess (Scarlett Johansson) is running for Senator. She is also getting married to an awkwardly twee guy named Peter (Paul W. Downs, who also co-wrote the film). To celebrate, her college friends bring her to Florida for a crazy bachelorette party weekend full of partying, drinking, and perhaps some illicit drugs.
Oh, and did I mention the dead stripper?
The first half hour of Rough Night plays like a female version of the Hangover films. Then, the break into the second act comes with its twist—the aforementioned dead stripper, of course—and the film becomes something more Continue reading Rough Night (2017) Movie Review
One man. Thousands of movies.