Last weekend was the slowest of the Summer, financially. The Dark Tower topped the list with an under-performing $19 million. Can it hold on to its crown with three new movies on the horizon: Annabelle: Creation, The Nut Job 2, and The Glass Castle?
Last weekend, the fifth installment in the Michael Bay Transformers franchise, The Last Knight, drastically under-performed. Coming in at $44.6 million, the film has received the lowest grossing opening weekend in the franchise.
With that knowledge, the introductory weekend to July will prove interesting at the box office. Transformers will likely see a significant drop, and three other wide releases look to take its place at number one.
Box Office Predictions: Weekend of 6/30
All roads have been cleared for Transformers: The Last Knight this weekend. The only new wide release film domestically, The Last Knight will open in 3,900 screens.
This doesn’t mean that other films aren’t around to put up competition, but will any of them be able to topple the box office behemoth that is Transformers?
Box Office Predictions: Weekend of 6/23
10 years after their senior year of college, Jess (Scarlett Johansson) is running for Senator. She is also getting married to an awkwardly twee guy named Peter (Paul W. Downs, who also co-wrote the film). To celebrate, her college friends bring her to Florida for a crazy bachelorette party weekend full of partying, drinking, and perhaps some illicit drugs.
Oh, and did I mention the dead stripper?
The first half hour of Rough Night plays like a female version of the Hangover films. Then, the break into the second act comes with its twist—the aforementioned dead stripper, of course—and the film becomes something more Continue reading Rough Night (2017) Movie Review
It Comes At Night is a terse family drama disguising itself as a horror film. Still, it remains the scariest filmgoing experience of 2017 thus far.
The film takes place in an idyllic cabin hideaway in the woods. It is the sort of place that you would run off to on a lazy Summer weekend. But this house also has wood boarding up its windows. It has a pair of doors—one prominently red—locking itself off from the outside world.
This is no vacation. It is survival.
This contrast that director Trey Edward Shults plays with is crucial to the thematic understanding of It Comes At Night. In the film, a family of three have just buried Continue reading It Comes At Night (2017) Movie Review
June has a lot going for it at the domestic box office. Following Wonder Woman‘s record breaking opening weekend ($103 million), this weekend is going to impress with the added release of Universal’s The Mummy. Two other new releases—A24’s It Comes At Night and Bleecker Street’s Megan Leavey—look to compete against the impressive lineup of current releases that also includes Pirates of the Caribbean: Dead Men Tell No Tales and Captain Underpants: The First Epic Movie.
With all of this competition, who comes out on top?
Box Office Predictions: Weekend of 6/9
I recently read an article through Moviepass (free promotion for Moviepass: they are a great service for the avid filmgoer) about the history of the Summer blockbuster. Near the end of the article, they address a shift in Summer movie box office trends. This and recent thoughts I’ve had about this Summer’s slate of new releases have spurred some personal speculation on the future of the Summer blockbuster. Moviepass looked into the past, let’s now look into the future.
The Summer movie season, in recent memory, has been littered with Continue reading The Future of the Summer Blockbuster