Category Archives: Leave it

Movies I wish I had skipped. This could be for any number of reasons: the film was made sloppily, the narrative didn’t engage me, or I simply could not connect with the film in any way for whatever reason.

2024 Fantasia Festival Movie Reviews — Carnage for Christmas, From My Cold Dead Hands

Carnage for Christmas and From My Cold Dead Hands are screening as part of the 2024 Fantasia International Film Festival, which runs from July 18 to August 4.


Carnage for Christmas

Alice Maio Mackay is a fascinating case. A super-low-budget filmmaker, Mackay has made, by my count, five feature films, among other projects. Given that she’s only 19 years old, that’s quite a prolific start to a career. Carnage for Christmas is the first Continue reading 2024 Fantasia Festival Movie Reviews — Carnage for Christmas, From My Cold Dead Hands

Review: The Old Man and the Demon Sword — Fantasia Festival 2024

The Old Man and the Demon Sword is screening as part of the 2024 Fantasia International Film Festival, which runs from July 18 to August 4.

Despite being extremely talky with heavily expository dialogue, the plot of Fábio Powers’ The Old Man and the Demon Sword is immediately confusing. Something meant to resemble a force field is cut through by a swordsman and his demon-possessed sword, initiating a battle against skeletal shadow people that no one else can see (save for the random older man of the title, who pops out of the bushes with a knife). The sword wants the barrier to be breached, for reasons I could not quite identify. And some sort of grand council is pulling the strings of the skeleton army, it seems.

The hooded hero has what is meant to be witty banter with the demon sword (João Loy), a trait carried over to the old man Tonho (Antonio da Luz) once he acquires the sword. The film, ostensibly, is an Continue reading Review: The Old Man and the Demon Sword — Fantasia Festival 2024

The Watchers (2024) Movie Review

For a first-time filmmaker, Ishana Night Shyamalan shows promise with The Watchers. Her debut, a folklore-infused horror mystery based on a novel by A.M. Shine, suffers more from its source material than from the creator behind the camera. On her way to deliver a bird to a zoo in Belfast, Mina (Dakota Fanning) finds herself stranded in a forest. She abandons her broken-down car and searches for help, only to find herself trapped in the labyrinthine rows of trees.

This forest is home to a mysterious presence, creatures that come out at night. Mina is told of this by a woman named Madeline (Olwen Fouere), who brings her to a strange, Continue reading The Watchers (2024) Movie Review

IF (2024) Movie Review

John Krasinski’s IF is something of an imaginary creature in today’s cinema landscape. Paramount’s aspirant blockbuster is a full-on big budget children’s film with no attachment to established intellectual property. Compare this to essentially every other family offering coming up this summer: Despicable Me 4, The Garfield Movie, Inside Out 2, Harold and the Purple Crayon. The big purple elephant in the room is the weird imaginary friend movie that is a big studio risk in desperate search for an audience. This audience, one imagines, is families. The kids come for the colorful creatures that are wholly unrecognizable to them, and the parents stay for…potentially life threatening heart surgery?

The shame is that the diverse array of computer-generated imaginary things (they prefer to be called “ifs” for whatever reason) are mostly great visual effects, and they also are occasionally characters with personality. The potential for this to be Continue reading IF (2024) Movie Review

Kingdom of the Planet of the Apes (2024) Movie Review

Wes Ball’s The Kingdom of the Planet of the Apes moves the world of the 2010s Apes trilogy multiple generations of apes into the future. Caeser (Andy Serkis) long deceased, the planet of the apes has mostly forgotten his impact on their world. Apes now live in clans, scattered around the ruins of human cities. One gorilla, who has adopted the name Caeser for himself, wants more than a clan. He desires an empire. Proximus Caeser (Kevin Durrand) violently destroys neighboring clans and brings the surviving apes into his kingdom.

This includes the “Eagle Clan” of which young Noa (Owen Teague) is a part. Noa witnesses the death of Continue reading Kingdom of the Planet of the Apes (2024) Movie Review

The Ministry of Ungentlemanly Warfare (2024) Movie Review

The Ministry of Ungentlemanly Warfare tries hard to be a rag-tag action film with a roguish, rugged charm. Based (however loosely) on the book Churchill’s Secret Warriors by Damien Lewis, about the small group of fighters covertly deployed by the British military during World War II, the film depicts Operation Postmaster. Postmaster was a mission to steal three German cargo ships that provided essential supplies for the Nazi U-boats. As the movie tells it, the U-boats were vital to the German’s control over the Atlantic Ocean, and thus cause for reticence when it came to the United States’ decision to join the War.

The film tries hard, and you can feel it. You can feel the four screenwriters – some possibly brought in simply for punching up the quips – producing the dialogue. You can hear the hope for Continue reading The Ministry of Ungentlemanly Warfare (2024) Movie Review

Ghostbusters: Frozen Empire (2024) Movie Review

Somewhere in the midst of the haggard kerfuffle that is the frozen empire of Ghostbusters: Frozen Empire, Ernie Hudson’s Winston Zeddemore tells Dan Aykroyd’s Ray Stantz something to the effect of the old cliché, “we’re getting too old for this.” This does not come across like a self-aware nod toward the inherent redundancy and inessential nature of Hollywood reboot culture. It feels more like the film accidentally self-reporting.

Personally (and fortunately, perhaps), I did not have to get too old before realizing that it is a waste of one’s time and energy to Continue reading Ghostbusters: Frozen Empire (2024) Movie Review

Civil War (2024) Movie Review

Alex Garland’s previous film, Men (2022), was provocative, but it provoked one’s attention for the sake of a statement without much depth to it. Civil War, the filmmaker’s latest, is marketed and branded as a highly provocative sign-of-the-times political thriller. It wants on the one hand to be an eerie premonition of where the United States Democracy is heading as the country trudges through yet another contentious election year. But it is, in execution, far less provocative than it hopes to be, despite claiming to have a deeply resonant statement to make.

If Civil War is on the one hand an aspiring premonition, it is on the other a Continue reading Civil War (2024) Movie Review

I.S.S. (2024) Movie Review

Gabriela Cowperthwaite’s I.S.S. is a low-budget thriller set in the shoebox of a set replicating the International Space Station. The film sets out to be a slow-burn potboiler (despite a 95-minute runtime), where chummy colleagues are thrown into an international geopolitical dispute that sows distrust and paranoia. Kira Foster (Ariana DeBose) is greeted warmly by the crew of the space station, who hail equally from Russia and the United States. Her first day working as a biologist on the station ends in a drunken celebration and Kira looking out onto Earth’s surface. Weronika (Maria Mashkova) and Alexey (Pilou Asbæk) joke that Kira doesn’t understand the full weight of seeing the world from the outside, where you can no longer see borders.

The first 15 minutes of I.S.S. (and the last few moments of the film) harp on this obvious bit of foreshadowing: in the Space Station, there are no Continue reading I.S.S. (2024) Movie Review

Self Reliance (2024) Movie Review

With Self Reliance, Jake Johnson and The Lonely Island (Andy Samberg, Jorma Taccone, Akiva Schaffer) have made a broad comedy rendition of David Fincher’s The Game. After a bad breakup with his partner, an aimless Thomas Walcott (Johnson) jumps at the chance to play a mysterious game of life and death, to be live-streamed to the dark web. The rules are simple: Thomas must survive 30 days of being hunted by assassins from Greenland who may or may not ever find him and who cannot harm him if he is within striking distance of another person. Seeing this last part as an exploitable loophole (more of a rule than a loophole, as it were), Thomas accepts the challenge.

For the first few days, Thomas is golden. He wakes up, lazily rides a recumbent bicycle, has a few shots of whisky at a bar, and calls it a day. No sign of any “production assistant ninjas” ready to film his murder. Then, one night, a window breaks while he is sleeping and he discovers Continue reading Self Reliance (2024) Movie Review