It wouldn’t be surprising if you only know of the film Roman J. Israel, Esq. because the poster features the back of Denzel Washington’s head. It’s understandable. It’s not as if the name is particularly catchy. But Roman J. Israel, Esq. is the second directorial feature from Dan Gilroy, the man behind Nightcrawler and the scripts of such films as The Fall and Bourne Legacy.

For someone who appreciated Nightcrawler, it is not unreasonable to anticipate good things from Gilroy’s follow up. Don’t be fooled. Roman J. Israel, Esq.—and I only keep reiterating the name because we are reminded of it time and time again in the film—is not Continue reading Roman J. Israel, Esq. (2017) Movie Review →
It Comes At Night is a terse family drama disguising itself as a horror film. Still, it remains the scariest filmgoing experience of 2017 thus far.
The film takes place in an idyllic cabin hideaway in the woods. It is the sort of place that you would run off to on a lazy Summer weekend. But this house also has wood boarding up its windows. It has a pair of doors—one prominently red—locking itself off from the outside world.
This is no vacation. It is survival.

This contrast that director Trey Edward Shults plays with is crucial to the thematic understanding of It Comes At Night. In the film, a family of three have just buried Continue reading It Comes At Night (2017) Movie Review →
One man. Thousands of movies.