Steven Soderbergh marks his return to feature filmmaking after his reported retirement with Logan Lucky, a heist film in the same stylistic vein as his Oceans films. Instead of the lavish cityscape and bright lights of Las Vegas, however, in Logan Lucky we are treated with rural North Carolina. The high security casino: replaced by a low security NASCAR race track.
The lead figure in this heist is Jimmy Logan (Channing Tatum), who sees a crack in the system of pressure tubes that carry money from the race track to a nearby bank vault and decides to Continue reading Logan Lucky (2017) Movie Review
It Comes At Night is a terse family drama disguising itself as a horror film. Still, it remains the scariest filmgoing experience of 2017 thus far.
The film takes place in an idyllic cabin hideaway in the woods. It is the sort of place that you would run off to on a lazy Summer weekend. But this house also has wood boarding up its windows. It has a pair of doors—one prominently red—locking itself off from the outside world.
This is no vacation. It is survival.
This contrast that director Trey Edward Shults plays with is crucial to the thematic understanding of It Comes At Night. In the film, a family of three have just buried Continue reading It Comes At Night (2017) Movie Review
What happens in a world where proof of an afterlife is definitive? Thus is the ethical dilemma of The Discovery, the new film from Charlie McDowell (The One I Love) and distributed via Netflix.
Thomas Harbor (Robert Redford), the man credited for what is dubbed “the discovery” grants unprecedented access with an interview; an interview that ends in a crew member’s on-air suicide.
Elsewhere, Will (Jason Segel) and Isla (Rooney Mara) meet on an otherwise empty ferry. They naval-gaze for a time, discussing how people “grow into their names” or not, how suicide groups in the face of the discovery are disingenuous, and then finally the truth of Continue reading The Discovery (2017) Movie Review