The cold open to M. Night Shyamalan’s new venture, Split, features an intriguing mix of directorial choices. There is a Hitchcockian motivated mobile POV, one that starts as an innocent track. There are motivated pans and tilts that follow our protagonist Casey’s (Anya Taylor-Joy) increasingly cautious gazes. There is a sense of impending dread with each edit.
This opening kidnapping was shown in almost its entirety in Split‘s trailer, which presents the premise of a man with multiple personalities (James McAvoy) who steals away three teenage girls (Haley Lu Richardson, Jessica Sula, and Taylor-Joy). Ignore the ridiculous notion that Continue reading Split (2017) Movie Review









