In an indefinite future, cybernetic enhancements have become a growing trend. On the forefront of this advancement is Major (Scarlett Johansson), a human mind placed into a robotic shell. To some, the perfect weapon.
The premise of Ghost in the Shell leaves the narrative bleeding with Continue reading Ghost in the Shell (2017) Movie Review
The Dark Tapes is an independent found footage horror anthology. It is a film in the same family as the V/H/S films, The ABCs of Death, and the recent XX. The difference between those films and this is that, while other anthology films split its work among multiple directors who each take on a self-contained short, The Dark Tapes is a film written by one screenwriter (Michael McQuown, who also shares directorial credit with Vincent Guastini).
As such, the frame narrative should share some cohesion across the film. The immediate impression, thus, is that the various “chapters” bleed together. Glitches transition between the shorts on the “tape.”
What this does at first is cause Continue reading The Dark Tapes (2017) Movie Review
March is coming to an end, and it is has been a healthy month at the box office. Beauty and the Beast has continued to dominate over its first two weeks and is looking to add to its domestic gross.
Two new releases take aim at the Disney giant: Fox’s Boss Baby and Paramount’s Ghost in the Shell. Both are opening in over 3,000 theaters. But can either of them contend with the Beast?
A family of three move into a quaint rural home that was once the site of a double homicide, perpetrated at the hands of a man (Pruitt Taylor Vince) who hears the voice of the devil in his head.
Jesse Hellman (Ethan Embry), father and husband, is a contract painter and metalhead. He’s a young-at-heart, hippie-looking pot smoker who hates painting flowers for banks. And he also picked the wrong house to move into.
Sean Byrne, whose directorial debut The Loved Ones provided an Continue reading The Devil’s Candy (2017) Movie Review
CHiPs. California Highway Patrol. Also, an ’80s television show starring Erik Estrada that is no longer culturally relevant.
There is not much to say about CHiPs, so I will try and keep this short. For a silly reboot comedy, this film about two motorcycle police officers goes dark in weird atonal ways. Heroin, sex addiction, and suicide are all introduced as plot devices within the first 10 minutes of the film.
As a comedy, the film is, by and large, serviceable. Continue reading Chips (2017) Movie Review
On the International Space Station, a similarly international skeleton crew of astronauts receive a crucial sample from the surface of Mars. What they find in it, however, is more than merely sand and sediment deposits.
What they find is a Continue reading Life (2017) Movie Review
After a practical joke goes wrong, Jason Scott (Dacre Montgomery) has to come to detention every Saturday in order to graduate. There, he meets a prep-turned-punk Kimberly (Naomi Scott) and an “on the spectrum” nerd Billy (RJ Cyler).
When Billy helps Jason with his house arrest bracelet problem, Jason agrees to drive Billy to an abandoned quarry, which happens to be the site of Continue reading Power Rangers (2017) Movie Review
In this fourth installment of the Fast & Furious franchise, quite confusingly entitled Fast & Furious, the old crew is up to the same old tricks. Dom (Vin Diesel), Letty (Michelle Rodriguez), and Han (Sung Kang) rob a moving fuel truck in the Dominican Republic. They take their cut and split ways to lay low.
When Letty is murdered, the crew reunites to avenge her death. Wrapped up in this via FBI investigation is Brian O’Conner (Paul Walker), who now works for the bureau.
With this premise comes the narrative intrigue of Continue reading Fast & Furious (2009) Movie Review
Last weekend saw the record-breaking opening of Disney’s Beauty and the Beast, which raked in a phenomenal $174 million. The film broke the record for best March opening weekend and the best opening for a PG-rated film, beating out last year’s Finding Dory by almost $40 million.
Beast‘s lack of competition guaranteed it this large opening. This weekend, we see the release of four wide release films, according to Box Office Mojo. The biggest of these four is Saban and Lionsgate’s Power Rangers, which has received a sizable marketing campaign to rival Disney’s.
Other releases include the sports pic Slamma Jamma, the comedy ChiPs, and the space thriller Life, all three of which are opening in less theaters than Power Rangers and Beauty and the Beast.
With the large quantity of competition, how far will Beauty and the Beast drop?
In anticipation of April’s release of The Fate of the Furious, the eighth installment in the The Fast and the Furious franchise, CineFiles is taking a retrospective look back on all of the series’ films. In this edition, we look at the third entry into the series (but the sixth film chronologically?), The Fast and the Furious: Tokyo Drift.
The Fast and the Furious: Tokyo Drift is widely considered the black sheep of the now incredibly successful Fast & Furious franchise. This is due mainly to the film’s tangential narrative from what has essentially become a testosterone-infused soap opera.
But let’s not judge a book by its preconceived notions.
Tokyo Drift opens on a car race over the ownership of a woman. So…it’s not looking good so far. Unlike the previous two Fast & Furious films, however, this opening race Continue reading The Fast and the Furious: Tokyo Drift (2006) Movie Review
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