Category Archives: Comedy

I am serious…and don’t call me Shirley.

All Movie Reviews, Comedy, Drama, Like It, Long Reviews (>400 Words)

The Delinquents (2023) Movie Review

Rodrigo Moreno’s The Delinquents is not a heist film, but it does begin with an elaborate bank robbery. It is not exactly a thriller, either, though it borrows from plenty of the tropes you’d find in an exciting thriller film with a heist as its centerpiece. Elaborate planning, blackmail, prison politics, uneasy partnerships, paranoia of being found out, and the hiding of wads of cash all play an important role in the film. But The Delinquents is more like a slow cinema crime epic than the films it borrows these caper conventions from.

The three-hour-long film begins with a desire for cash and ends with a liberation of self. Morán (Daniel Elias) has spent a long career working at a bank, and he is still Continue reading The Delinquents (2023) Movie Review →

All Movie Reviews, Comedy, Like It, Long Reviews (>400 Words)

Poor Things (2023) Movie Review

I’ve enjoyed pretty much all of Yorgos Lanthimos’ films (Kinetta is a bit of black sheep for me, but it has its interesting moments). Dogtooth, The Lobster, and The Favourite are all in my personal top 10 from their respective years. Alps and Killing of a Sacred Deer intrigue me enough that rewatches could easily lift them into top 10 lists of their own. Lanthimos makes exciting and unique films. He has a fantastic grasp of tone and morbid humor. And he pulls great performances out of his casts. Although Poor Things is imperfect, it checks all of these boxes, as well.

Poor Things is something of a libertine Frankenstein story. In Victorian England, a surgeon called God (short for Godwin Baxter) tasks a young medical student Max McCandles (Ramy Youssef) with Continue reading Poor Things (2023) Movie Review →

All Movie Reviews, Comedy, Drama, Like It, Long Reviews (>400 Words)

Fantasia Festival 2023 Movie Reviews — Sometimes I Think About Dying, Hippo

Sometimes I Think About Dying and Hippo are screening as part of the Fantasia International Film Festival, which runs from July 20 to August 9.

Sometimes I Think About Dying

Fran (Daisy Ridley) leaves her office job each day, microwaves herself a dinner, and sits alone on her couch. Occasionally, during these quiet moments, she does what the film’s title suggests, roving through fantasies of death in her mind. Then she returns to Continue reading Fantasia Festival 2023 Movie Reviews — Sometimes I Think About Dying, Hippo →

All Movie Reviews, Comedy, Drama, Leave it, Like It, Long Reviews (>400 Words), Sci-Fi/Fantasy

Fantasia Festival 2023 Movie Reviews — Hundreds of Beavers, Aporia, Emptiness

Aporia, Hundreds of Beavers, and Emptiness are screening as part of the Fantasia International Film Festival, which runs from July 20 to August 9.

Aporia

A year after Sophie’s (Judy Greer) husband dies, her daughter remains despondent. She is truant from school, failing classes, and she wants nothing to do with her friends or mother. When her late husband’s best friend (Payman Maadi) shows her a time machine he’s been building, Sophie decides to Continue reading Fantasia Festival 2023 Movie Reviews — Hundreds of Beavers, Aporia, Emptiness →

Action/Thriller, All Movie Reviews, Comedy, Leave it, Long Reviews (>400 Words)

Operation Fortune: Ruse De Guerre (2023) Movie Review

Guy Ritchie has spent the most recent stretch of his career making passable yet somewhat anonymous and, frankly, lacking action pictures. Following the bungled Aladdin live action film for Disney, which I don’t think was necessarily Ritchie’s fault (he wasn’t the right choice for the material to begin with), he has been trying to get back to the brand of film that made him a name in the first place.

The Gentlemen was fine but not my bag. Wrath of Man has some nice sequences but is repetitive and drab. This time out, Ritchie goes for a sprawling, international espionage thriller — he’s trying for a James Bond or Mission: Impossible vibe.

The film opens with your standard issue “gathering up the usual suspects” routine. Two government bureaucrats (Cary Elwes and Eddie Marsan) discuss the crew for their next important job — something involving Continue reading Operation Fortune: Ruse De Guerre (2023) Movie Review →

Action/Thriller, All Movie Reviews, Comedy, Like It, Long Reviews (>400 Words)

Cocaine Bear (2023) Movie Review

Cocaine Bear is the type of movie that “works well in the room,” so to speak. The pitch to Universal on this probably went over like gangbusters. It’s a fun premise with an undeniably eye-catching title, and a film that could be marketed to a college crowd during a slow box office weekend. It is a movie about a bear that does cocaine and wreaks havoc on a forest full of people. That’s not the most difficult movie to find an audience for. And judging solely on one theater in a small market during the film’s Thursday night preview screening, it looks like it did in fact reach that audience.

I saw two movies on this Thursday. One was Ant-Man and the Wasp: Quantumania in its second weekend; the other was Cocaine Bear. Ant-Man, a huge release with a massive budget that is part of one of the most profitable franchises of all time, was attended by me and two others. Cocaine Bear, meanwhile, was Continue reading Cocaine Bear (2023) Movie Review →

All Movie Reviews, Comedy, Leave it, Long Reviews (>400 Words), Psychotronic, Western

Greaser’s Palace (1972) is an (Unfulfilling) Weirdo’s Paradise

This is installment one in our “Psychotronic Cinema“ series.

The films in this series are “psychotronic,” a term borrowed from Michael J. Weldon’s magazine and encyclopedia. Psychotronic covers the wide swath of cinema that is either slightly out there or entirely bonkers – horror, science fiction, fantasy, exploitation, blockbusters, flops, low budgets, no budgets, thought-provoking, brain dead, beautiful, grotesque, bloody, breezy, sleazy, and so on. At the end of the day, what is considered “psychotronic” might come down to the eye test – you know one when it crosses your path.

After watching last year’s Sr., a Robert Downey Jr.-led documentary about his father, filmmaker Robert Downey (Sr.), I was enticed into catching up on some of the director’s offbeat filmography. It wasn’t the documentary itself that invited me to see Greaser’s Palace — neither the clips from the film nor the doc’s father-son bonding moments did it for me. Frankly, the doc felt a few ticks overdone, with its black and white cinematography and Robert Downey Jr. puppeteering some of the would-be heartwarming scenes.

What works about Sr. is the same thing that works (for me, at least) about Sr.’s films, and that’s Continue reading Greaser’s Palace (1972) is an (Unfulfilling) Weirdo’s Paradise →

All Movie Reviews, Comedy, Horror, Like It, Long Reviews (>400 Words)

M3GAN (2023) Movie Review

Nothing says kicking off a new year at the movies quite like an AI-driven robot toy singing a haunting lullaby rendition of a Sia song a few hours after said robot violently attacks a mopey child bully.

Before the pandemic caused the movie industry to throw out the playbook on theatrical releases, January was a month notorious for its low-quality new releases. Traditionally, January fare includes Continue reading M3GAN (2023) Movie Review →

All Movie Reviews, Comedy, Like It, Long Reviews (>400 Words)

Triangle of Sadness (2022) Movie Review

Ruben Östlund’s previous two films, The Square and Force Majeure, do one thing with effective idiosyncrasy, and that is to showcase and revel in the profoundly uncomfortable and awkward. Force Majeure centers its entire action around such an uncomfortable premise: what if you abandoned your family in a moment of crisis, only to realize too late that the crisis was no crisis at all? The Square, meanwhile, adds a leaden layer of class commentary to the mix, pessimistically pointing a mocking finger at the literati of the art world.

Triangle of Sadness, Östlund’s latest, does not fall far from this tree. In fact, at most turns in the plot he doubles down on Continue reading Triangle of Sadness (2022) Movie Review →

All Movie Reviews, Comedy, Leave it, Long Reviews (>400 Words)

The Friedberg-Seltzer Massacre: Best Night Ever (2013) and Superfast! (2015)

This is the sixth and final installment in “The Friedberg-Seltzer Massacre: How Two Men Single Handedly Destroyed the Parody Genre.”

In pursuing this project, I did not set out to unilaterally pan the Friedberg and Seltzer oeuvre (as much as the hack, clickbait adjacent title might suggest). Sure, I find almost all of their work indefensible. But I endeavored to get closer to the heart of who these two writers are and what they wanted to get out of their filmmaking. Unfortunately, this is difficult knowledge to gain, considering they are on the record as being almost entirely off the record. The duo almost never give interviews, and, aside from a great Matt Patches piece at Grantland, I could not find a source where they were seriously interviewed.

All the same, I wanted to move beyond the easy insults that have been hurled their way. I wanted to move beyond the perception of them as Continue reading The Friedberg-Seltzer Massacre: Best Night Ever (2013) and Superfast! (2015) →