Category Archives: Drama

Life is but a walking shadow, a poor player that struts and frets his hour upon the stage and then is heard no more

Brawl in Cell Block 99 (2017) Movie Review

With a title like Brawl in Cell Block 99, one might think that S. Craig Zahler’s second directorial effort is an exploitation film filled with B-movie action. There are elements in the script and set pieces that signal toward grindhouse action, sure, but Brawl in Cell Block 99 is more than just a B-movie. It is a clever, exploitation action pastiche.

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Following Zahler’s first film, Bone Tomahawk, which seamlessly blended genres without sacrificing the artistic beauty or history of those genres, it is no surprise that Continue reading Brawl in Cell Block 99 (2017) Movie Review

Breathe (2017) Movie Review

Breathe, which marks the directorial debut of famed motion capture actor Andy Serkis, is about the real-life story of Robin Cavendish (Andrew Garfield), who after being inflicted with polio chose not to live the sedentary lifestyle that the disease relegated him to.

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It is one of those heavily emotional films about Continue reading Breathe (2017) Movie Review

The Florida Project (2017) Movie Review

The Florida Project, director Sean Baker’s follow up to the highly acclaimed Tangerine, takes place on the outskirts of Disney world, an Orlando-area that is plagued by poverty. In the Magic Castle—a motel named loosely off of a Disney property, seemingly as a way to drum up more business—children run about in the Summer heat doing whatever they please.

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One of these children is Moonee (Brooklynn Prince). We are introduced to her when she and two of her friends decide to run off to a neighboring motel and spit on someone’s car.

It doesn’t feel like a fitting introduction to a child character who we are about to follow for the next two hours, but that’s how it is. There’s no Continue reading The Florida Project (2017) Movie Review

Martyrs (2008) & Martyrs (2016) Movie Review

This review of Pascal Laugier’s Martyrs and its 2016 remake is part of the New French Extremity Retrospective series.

Note: This review goes into spoilers for both films. You’ve been warned.

Pascal Laugier’s 2008 film Martyrs is perhaps the crowning achievement of the New French Extremity, as it ties together the disparate themes and generic components of the movement in the most cohesive and intriguing way.

The American remake of the film, directed by Kevin and Michael Goetz and distributed in part by Blumhouse, is not in conversation with the films and filmmakers of the New French Extremity. It is entirely removed. As such, it is merely an exploitation film.

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Now, Laugier’s Martyrs is no walk in the park when it comes to excessively violent subject matter. But for most of its running time it doesn’t feel like an exploitation film. It is a film about Continue reading Martyrs (2008) & Martyrs (2016) Movie Review

Demonlover (2002) Movie Review

This review of Olivier Assayas’ Demonlover is part of the New French Extremity Retrospective series.

The premise of Olivier Assayas’ 2002 film Demonlover sounds like that of a sleazy exploitation film: business suits battle over the corporate control of violent online pornography, some animated and some far too real. It is a similar premise to the 2008 American thriller Untraceable. One could call Gregory Hoblit’s film a remake if the cold-hearted white collar types where replaced with agents of the law.

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But Demonlover is much more fascinating without the white hat of the law. In the film, the law is so far removed that it feels as though these executives could do whatever they needed to Continue reading Demonlover (2002) Movie Review

Criminal Lovers (2000) Movie Review

This review of Francois Ozon’s Criminal Lovers is part of the New French Extremity Retrospective series.

Francois Ozon’s Criminal Lovers begins as a Bonnie & Clyde narrative, where two kids of 17 kill a man in passion and go on the lam, robbing jewelry stores and convenience stores to get by as they make their way into the countryside. Then, it becomes something more akin to a Hansel & Gretel tale of survival.

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Alice (Natacha Regnier) convinces Luc (Jeremie Renier) to help her kill Continue reading Criminal Lovers (2000) Movie Review

The Meyerowitz Stories (New and Selected) (2017) Movie Review

Noah Baumbach’s latest, The Meyerowitz Stories (New and Selected), is the story of a family reuniting when a confluence of life events causes them to float together.

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Danny (Adam Sandler) moves back in with his father (Dustin Hoffman) during a divorce that leaves him without income. At the same time, his daughter Eliza (Grace Van Patten) is beginning film school (her first film is a strangely humorous Avant-garde piece about a hermaphroditic superhero).

Danny’s half-brother Matthew (Ben Stiller) is en route as their father prepares for Continue reading The Meyerowitz Stories (New and Selected) (2017) Movie Review

Teorema (Theorem) (1968) Movie Review

“Maybe he will let himself be seduced, and we will reap our vengeance on him.”

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Much has been said about “pure cinema,” the cinematic approach of formalism to accomplish narrative and thematic goals. Classical Hollywood cinema brought with it a brand of cohesiveness in storytelling, an emphasis of plot over image (in most cases) that has made pure cinema more of an anomaly than a true practice.

Pier Paolo Pasolini’s drastically quiet Teorema could be considered an exercise in pure cinema. There are, purportedly, less than 1,000 words spoken in the entire film. This story of a young man coming into an affluent household and seducing every Continue reading Teorema (Theorem) (1968) Movie Review

Twentynine Palms (2003) Movie Review

This review of Bruno Dumont’s Twentynine Palms is part of the New French Extremity Retrospective series.

Bruno Dumont’s Twentynine Palms begins unassuming and unsuspecting, with two lovers (David Wissack and Katerina Golubeva) riding down the California highway. It then continues unassuming for the next hour.

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He is an American photographer, and she is a Russian immigrant. They speak different languages, yet they seem to Continue reading Twentynine Palms (2003) Movie Review

Sombre (1998) Movie Review

This review of Philippe Grandrieux’s Sombre is part of the New French Extremity Retrospective series.

Sombre is a film that is best described as “rattled.”

The film returns most often to two locations: the home where Jean (Marc Barbe) brings women to kill them and the car that he takes to either dump their bodies or watch the Tour de France.

In both locations the camera is often bouncing around on tight shots of the action. The camera is so tight and frantically moving, in fact, that it is often impossible to discern exactly what act is being carried out and to whom.

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This process of understanding what is happening is not helped by scenes that appear to be shot with natural light at night (at the very least, there is the absence of a three-point lighting system), making these scenes hard to Continue reading Sombre (1998) Movie Review