San Francisco. It is a bleak, ash-covered world. Lost and devoid of hope, survivors futilely search for meaning after a battle at Wakanda changed the universe with a single snap.
Just kidding! Marvel’s Ant-Man and the Wasp, the sequel to Peyton Reed’s 2015 film Ant-Man, is set weeks prior to the events of Avengers: Infinity War. Scott Lang (Paul Rudd), aka Ant-Man, is at the tail-end of his house arrest, which he landed after helping out Captain America during the events of Captain America: Civil War.
The FBI are constantly looking over Lang’s shoulder while also looking for Lang’s co-conspirators Hope Van Dyne (Evangeline Lilly) and Hank Pym (Michael Douglas). Hope and Hank, meanwhile, are working to Continue reading Ant-Man and the Wasp (2018) Movie Review
In Murder on the Orient Express
, Kenneth Branagh directs Kenneth Branagh as Agatha Christie’s famous detective Hercule Poirot. The film informs us of his reputation by opening with Poirot solving a crime in front of an abundant crowd, as if he is the main attraction at a circus. In case this was not enough—and because the script felt the need to address its own ludicrous facial hair creation—Daisy Ridley’s Mary Debenham recites her first line in the film thusly:
“I know your mustache…from the papers!”
When the plot of the film begins in earnest—in which a mobster criminal (Johnny Depp) hiding on the train is Continue reading Murder on the Orient Express (2017) Movie Review
In the New York Post review of Darren Aronofsky’s new feature film Mother!, critic Sara Stewart calls the film “a Rorschach test of a movie to interpret however you like.” Not only is this statement accurate, but it is the fatal flaw that sinks this unwieldy monster of a film.
There is so much to unpack with Mother! that it becomes not a question of “what?” but a question of Continue reading Mother! (2017) Movie Review
One man. Millions of movies.