Tag Archives: movie review

Action/Thriller, All Movie Reviews, Like It, Long Reviews (>400 Words)

Leave the World Behind (2023) Movie Review

Leave the World Behind, Netflix’s buzzy new film from writer-director Sam Esmail and based on the popular 2020 novel of the same name by Rumaan Alam, imagines how Americans would cope if the daily technologies of life were stripped away and information was cut off at the pass by some unknown enemy. It is more thought experiment than substantive film, in that the characters are intentionally self-absorbed, conceited, not particularly three-dimensional, and, in some cases, full-on nihilistic.

The film begins with Amanda Sanford (Julia Roberts), the matriarch of a nuclear family, declaring to her husband Clay (Ethan Hawke) that they will be going on a spontaneous vacation because she has come to the realization that she hates people. Not much more is said on the matter; it’s pretty much smash cut from this conversation to the ornate home outside of New York City that the family will be staying in. They are essentially just far enough from the city to be considered “out of town.”

Following an indefinite loss of cell service and wireless internet, and a freak accident involving a beached oil tanker, the family’s first day in relative seclusion ends with Continue reading Leave the World Behind (2023) Movie Review →

All Movie Reviews, Comedy, Like It, Long Reviews (>400 Words)

Poor Things (2023) Movie Review

I’ve enjoyed pretty much all of Yorgos Lanthimos’ films (Kinetta is a bit of black sheep for me, but it has its interesting moments). Dogtooth, The Lobster, and The Favourite are all in my personal top 10 from their respective years. Alps and Killing of a Sacred Deer intrigue me enough that rewatches could easily lift them into top 10 lists of their own. Lanthimos makes exciting and unique films. He has a fantastic grasp of tone and morbid humor. And he pulls great performances out of his casts. Although Poor Things is imperfect, it checks all of these boxes, as well.

Poor Things is something of a libertine Frankenstein story. In Victorian England, a surgeon called God (short for Godwin Baxter) tasks a young medical student Max McCandles (Ramy Youssef) with Continue reading Poor Things (2023) Movie Review →

Action/Thriller, All Movie Reviews, Leave it, Long Reviews (>400 Words), Sci-Fi/Fantasy

Rebel Moon – Part One: A Child of Fire (2023) Movie Review

Zack Snyder’s latest is a two-part space opera epic with the classic rebels-versus-empire dynamic popularized in the cinema mainstream by Star Wars (the film began its life as a Star Wars film pitched to Disney). This dynamic is purposefully simplistic, with basic white hat heroes and black hat villains. The issue with Rebel Moon – Part One: A Child of Fire is that these characters are not only simplistically drawn, but they are never particularly compelling figures to begin with.

The first sign that this script has character issues is an emotional monologue given by Sofia Boutella’s Kora. She speaks of being unable to Continue reading Rebel Moon – Part One: A Child of Fire (2023) Movie Review →

All Movie Reviews, Drama, Like It, Long Reviews (>400 Words)

All of Us Strangers (2023) Movie Review

Andrew Haigh’s All of Us Strangers is a story about a haunted man, which becomes a film about a (potentially more literal) haunting. The film’s main preoccupation is with conversations which never happen. Adam (Andrew Scott), an aspiring screenwriter, is using the script format to try and crack into his inner visions of his deceased parents. Hypothetical conversations play out on screen, where Adam divulges to his parents things he never had the chance to while they were alive. His mum and dad (Claire Foy and Jamie Bell) appear younger than Adam; they are the last version of them he can remember, as they died in a car crash when he was still a boy.

These dialogues are the heart of the film, despite a great performance by Paul Mescal that props up the film’s other half: a budding romance between two lonely men who are living in an almost entirely empty high rise. As the film progresses, the Continue reading All of Us Strangers (2023) Movie Review →

Action/Thriller, All Movie Reviews, Drama, Like It, Long Reviews (>400 Words)

Godzilla Minus One (2023) Movie Review

I am not a historian. It doesn’t take a historian, though, to understand that the 1954 film Godzilla is about the devastating possibilities of human-made destruction that was realized in the wake of World War II. What we are capable of, as a species, was demonstrated in many different ways in those years, and Godzilla bottles the anxieties surrounding our own extinction into a distinct (and now very recognizable) figure. Ishirō Honda’s film is most remembered for introducing kaiju monsters to the mainstream, but it is as much a film about the human characters on the ground who must deal with what is towering over them as it is about Godzilla.

What has been lost in the Americanized iterations of the Godzilla IP is not so much this human focus (there are plenty of human characters, I just couldn’t tell you any of their names). What is lost is the Continue reading Godzilla Minus One (2023) Movie Review →

All Movie Reviews, Drama, Long Reviews (>400 Words), Love It

Anatomy of a Fall (2023) Movie Review

What makes a monster? It’s a question we can consider from two perspectives (two of many possible). The first is those primordial things that make up evil: those pieces of the human condition that must be foreclosed such that a person can do monstrous things. The second involves an act of creation. What is it within our civilized society that seeks to identify and call out the bad of humankind? Who crafts the narratives that cast some as villains and others as victims, and through what contexts are these narratives codified and/or agreed upon? At least…agreed upon enough that stories with monsters become tropes that are legible to us, or agreed upon enough that guilty verdicts can be reached in homicide cases.

Justine Triet’s Anatomy of a Fall presents us with a contained incident (the eponymous fall) and a proceeding attempt by many parties to Continue reading Anatomy of a Fall (2023) Movie Review →

All Movie Reviews, Leave it, Long Reviews (>400 Words), musical, Sci-Fi/Fantasy

Wonka (2023) Movie Review

There is something both unnecessary yet totally fitting about the new musical prequel to the 1971 film Willy Wonka & The Chocolate Factory (itself an adaptation of the Roald Dahl book of a slightly different name). It makes sense, in that director Paul King received much acclaim for his adaptation of another beloved children’s literature property in Paddington. It is unnecessary in the same way that any modern-day IP reboot has to justify itself beyond the motivation of cashing in. Wonka is far less lazy than most of these reboot efforts, but it also never shakes the sense of being inessential.

The film’s opening number does a clever job of establishing the basic premise (in short, consumer capitalism suppresses true entrepreneurial spirit and creative innovation for the sake of monopolistic stability and commodity homogenization). It is also Continue reading Wonka (2023) Movie Review →

All Movie Reviews, Animation, Long Reviews (>400 Words), Love It

The Boy and the Heron (2023) Movie Review

A good deal of the critical reception for The Boy and the Heron, the latest from famed animation outfit Studio Ghibli, likens the film to a swan song. Hayao Miyazaki’s on-and-off-again relationship with retirement leaves the film feeling like an open-ended farewell. The perception is fitting for a film so freighted with existential anxieties about moving on and growing up. But the film is as interested in beginnings as it is in endings, and Miyazaki’s canny ability to elegantly complicate that otherwise simple dichotomy is what makes The Boy and the Heron such a striking experience.

However, it was well into the final act of the film before I was convinced that Continue reading The Boy and the Heron (2023) Movie Review →

Action/Thriller, All Movie Reviews, Like It, Long Reviews (>400 Words)

The Killer (2023) Movie Review

The quiet, ruminative introduction of David Fincher’s latest presents a haggard Michael Fassbender – the eponymous killer. An assassin staking out his target, he is disillusioned and tired, and his voiceover reiterates lines familiar to this genre, bromides regarding one’s luck if they never meet this cold-blooded killer, regarding the absence of true justice in this world, regarding luck being a false construct. Fassbender looks like a genre convention through most of this sequence, too, with an outfit that looks like it was pulled from Le Samourai. The opening scene could be considered a riff on Rear Window. These allusions, whether intentional or not, come off as unimportant as they would to the “Killer” himself – they are empty gestures to spectacular fictions regarding how crime operates.

As the V.O. monologue goes on, it bleeds into something more intriguing, something Continue reading The Killer (2023) Movie Review →

All Movie Reviews, Horror, Like It, Long Reviews (>400 Words)

Saw X (2023) Movie Review

19 years ago, James Wan’s Saw became a surprising hit for Lionsgate and a meaningful propeller for the 2000s cycle of torture porn horror films. Since then, that grisly subgenre has fallen far out of fashion, and Lionsgate is in a potentially pivotal moment where it is hoping to rejuvenate past successes. Both Saw X and The Hunger Games: The Ballad of Songbirds and Snakes are prequels; this is fitting, given the studio is looking backwards to its most profitable franchises in an attempt at similar box office success.

The trajectory of the Saw franchise, aside from being packed with lore rendered nearly incomprehensible due to sequel ret-conning and increasingly inane plot twists, has its ups and downs. After Continue reading Saw X (2023) Movie Review →