Listen, I know we could talk about Oscar snubs all day and it wouldn’t make any difference. To an extent, expressing any amount of emotion for the Academy and their decisions is a waste of energy. It is all futile and arbitrary, and it’s better not to get caught up in it.
But, I mean, there’s no love for “Glasgow” in the Best Original Song category? It is a great song inside a lovely little film called Wild Rose. It deserved some recognition here. Seriously, what the f–
Continue reading 2020 Oscar Predictions — Best Original Song
The breakdown of this year’s Best Animated Feature Film category by studio is fairly interesting. Historically, Pixar leads all studios in nominations and wins, which is not particularly surprising. However, there is not enough history to the category to judge how Toy Story 4 will fair against its predecessors (the category was first awarded after the releases of Toy Story and Toy Story 2).
DreamWorks, the studio behind How to Train Your Dragon: The Hidden World, won the first ever Best Animated Film Oscar in 2002 for Shrek. It hasn’t won since, including nominations but no wins for the previous How to Train Your Dragon films. Laika, which released Missing Link last year, has five nominations and zero wins.
Continue reading 2020 Oscar Predictions — Best Animated Film
Note: I don’t spoil any major plot points in this review, but I hint at aspects of Toy Story 4 that could be construed as spoilers. So let’s just call this a spoiler review.
Walking into Pixar’s Toy Story 4, I thought the pertinent question would be: was a fourth installment necessary? Given how most Pixar sequels have not lived up to their predecessors (Toy Story 2 being the most notable exception) and how Toy Story 3 presents an adequate ending to the then trilogy, it made little sense for a fourth film to exist beyond the want for money.
Sitting through the first act of Josh Cooley’s film, however, this questioning starts to disappear. Toy Story 4 may not wind up being Continue reading Toy Story 4 (2019) Movie Review
After intense debating on the /Filmcast, it was decided that Avengers: Endgame is to be included in the annual Summer Movie Wager, a game of box office predictions, in spite of Endgame not technically being released within the Summer movie season (which is arbitrarily defined on Box Office Mojo as the first weekend of May through Labor Day weekend).
That said, the number one spot in the competition is all-but sealed up. Endgame is set to, at the very least, match Infinity War in sales. So barring some failure in storytelling that tanks the word of mouth on the film, it will take the top line.
For those unfamiliar with the Summer Movie Wager, it is a competition in which players pick the top 10 highest grossing films of the Summer season, plus three “dark horse” predictions. Here are the official scoring rules, as per the /Filmcast: Continue reading 2019 Summer Movie Wager – Box Office Predictions
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